• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Adriano Spatola, Toward Total Poetry


Translated from the Italian by Brendan W. Hennessey and Guy Bennett, with an Afterword by Guy Bennett

The problem is not only to transform poetry into something new compared to poetic tradition, but above all that through this transformation poetry becomes a total art. New experimental poetry is no longer exclusively interpretable as a force modifying the usual instruments of poetic creation, or as the necessity of overcoming national linguistic barriers to an explicitly international poetry. Today it seeks to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of culture, in a utopian ambition to return to origins.

Starting with the publication of his first book, L’ebreo negro (1964), at the age of 23, Adriano Spatola established himself as one of the leading innovators in European experimental poetry. In works such as Majakovskiiiiiiij and Diversi accorgimenti [“Various Devices”], Spatola rejected tired formal devices in favor of a more dynamic use of language. From 1970–1988 he published the seminal magazine TamTam. Spatola died in 1988.

Guy Bennett’s translations include Jacques Roubaud’s Poetry, etc.: Cleaning House, Valère Novarina’s Adramelech’s Monologue, and Giovanna Sandri’s Hourglass: The Rhythm of Traces.

Brendan W. Hennessey is completing his PhD in Italian Literature at the University of California Los Angeles.

  • ISBN: 978-09796177-2-0
  • Price: $12.95
  • Published 2008
  • 169 pages

Buy Toward Total Poetry

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