Otis College of Art and Design logo
Events
  • Winter Holiday Closure

    Dec 18| Administrative
    More

    Happy Holidays.

    Otis Administrative Offices will be closed for the Holiday Break.

    Offices will reopen on Monday, January 5. 

    Courses resume on Monday, January 12th.

  • Angie Bray: Shhhh

    Jan 17| Exhibition
    More
    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
    More

    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

O-Tube

Adriano Spatola, Toward Total Poetry

 

Translated from the Italian by Brendan W. Hennessey and Guy Bennett, with an Afterword by Guy Bennett

The problem is not only to transform poetry into something new compared to poetic tradition, but above all that through this transformation poetry becomes a total art. New experimental poetry is no longer exclusively interpretable as a force modifying the usual instruments of poetic creation, or as the necessity of overcoming national linguistic barriers to an explicitly international poetry. Today it seeks to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of culture, in a utopian ambition to return to origins.

Starting with the publication of his first book, L’ebreo negro (1964), at the age of 23, Adriano Spatola established himself as one of the leading innovators in European experimental poetry. In works such as Majakovskiiiiiiij and Diversi accorgimenti [“Various Devices”], Spatola rejected tired formal devices in favor of a more dynamic use of language. From 1970–1988 he published the seminal magazine TamTam. Spatola died in 1988.

Guy Bennett’s translations include Jacques Roubaud’s Poetry, etc.: Cleaning House, Valère Novarina’s Adramelech’s Monologue, and Giovanna Sandri’s Hourglass: The Rhythm of Traces.

Brendan W. Hennessey is completing his PhD in Italian Literature at the University of California Los Angeles.


  • ISBN: 978-09796177-2-0
  • Price: $12.95
  • Published 2008
  • 169 pages

Buy Toward Total Poetry