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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

O-Tube

Antonio Porta, Piercing the Page: Selected Poems: 1958–1989

 

Edited with an introduction by Gian Maria Annovi and an essay by Umberto Eco

Nothing behind the door, behind the curtain,
the fingerprint stuck on the wall, under it,
the car, the window, it stops, behind the curtain,
a wind that shakes it, a more obscure
stain on the black ceiling, a handprint,
he leaned on rising, nothing, pressing,
a silk handkerchief, the lamp swings,
a knot, the light, ink-spot,
on the floor, above the curtain, the scouring pad,
on the floor drops of sweat, rising,
the stain won’t rub out, behind the curtain,
the black silk of the handkerchief, shines on the ceiling,
the hand comes to rest, the fire in the hand,
a silk knot on the armchair, it shines,
wounded, now the blood on the wall,
the handkerchief’s silk waves a hand

 

Antonio Porta, pen name Leo Paolazzi, was born in Vicenza in 1935, but lived in Milan most of his life. In 1960 he published La Palpebra Rovesciata (The Eyelid Inside-Out) and was included in the seminal anthology I Novissimi (among such authors as A. Giuliani, E. Sanguineti, E. Pagliarani and N. Balestrini). One of the most important figures in the literary movement known as the “Neo-Avant-garde,” Porta was among the founders of Gruppo 63 and served on the editorial board of the avant-garde literary magazine Malebolge from 1963 to 1967. It is at this time that he began his experimentations with visual poetry. In addition, he wrote literary criticism for various newspapers and magazines, and taught literature at the Università di Bologna, the Università di Pavia and the Università di Roma, La Sapienza, as well as Yale University. He died of a heart attack in Milan in 1989.

Gian Maria Annovi was born in 1978. He holds a Degree in Philosophy and a Doctorate in Contemporary Italian Literature from the University of Bologna. He also studied at Universidad de Barcelona (Spain) and UCLA. Currently, he is a Ph.D. candidate in Italian Studies at Columbia University and he is working on a volume about Italian writer, poet and director Pier Paolo Pasolini. Gian Maria has published three collections of poetry and several essays and translations in Italian and international journals. He writes for the Italian newspaper Il Manifesto.

 

Interviews:


  • ISBN-13: 978-0-9845289-5-0
  • ISBN-10: 0-9845289-5-4
  • Price: $14.95
  • Published 2012
  • 368 pages

Buy Piercing the Page