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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Dennis Phillips, Navigation: Selected Poems, 1985–2010

 

Kinch

Cut the pear or I cut the pear.
She wouldn’t say it was spoiled but, like syntax,
the beginning was different from the end.

As at other times a scene
rendered from a dream
or a distant memory recurs:
The low, bleached coastal town,
the labyrinthine train tunnels,
a kind of herd but voices.

Is it syntax that’s stored as a sugar,
or with diffidence as protein’s residue?
Which synapse emboldens
under the shade of passing jet wings
then dives backward, away from the map they impose?

 

Born in Los Angeles in 1951, Dennis Phillips is the author of ten books of poetry and one novel, Hope (2007). Former director of the Beyond Baroque Literary Center in Venice, past book review editor for Sulfur magazine, and poetry editor of the L.A. Weekly, Phillips is a professor in the Department of Liberal Arts and Sciences at Art Center College of Design and teaches regularly in the Graduate Writing program at Otis College of Art and Design.


  • ISBN: 978-0-9845289-4-3
  • Price: $14.95
  • Published 2011
  • 288 pages

Buy Navigation