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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Please join the Digital Media Department for a lecture by  Alina Chau.
    Chau is an Animator, Illustrator and Storyboard artist who has worked with Lucasfilm Animation, Technicolor Interactive Services, and Electronic Arts.  
    Alina Chau received her MFA from the University of California, Los Angeles. She spent over a decade working in the animation industry. Her most notable credit is on LucasFilm’s Emmy Award Winning program, “Star Wars: The Clone Wars.”
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?

  • Industry Spotlight

    Oct 15| Special Event

    An advertising creative director for more than 25 years, Otis alumnus Josh Weltman was the Mad Men co-producer responsible for Don Draper's credibility as an advertising genius.

    Join us for a behind-the-scenes look at the hit series, plus hear key insights from Weltman's new book Seducing Strangers: How to Get People to Buy What You're Selling.

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Yutaka Makino. He lives and works in Berlin.  Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Susan Choi’s first novel, The Foreign Student, won the Asian-American Literary Award for fiction, and her second novel, American Woman, was a finalist for the 2004 Pulitzer Prize. Her most recent novel, A Person of Interest, was a finalist for the 2009 PEN/Faulkner Award. With David Remnick she co-edited the anthology Wonderful Town: New York Stories from The New Yorker. A recipient of fellowships from the NEA and the Guggenheim Foundation, and in 2010, the inaugural winner of the PEN/W.G. Sebald Award, Choi lives in Brooklyn.

  • Joe Sola (‘99)’s work has been exhibited internationally in galleries and museums including: The San Francisco Museum of Modern Art, Los Angeles County Museum of Art, The Hammer Museum, The Hirshorn Museum and Sculpture Garden, The Andy Warhol Museum  and Kunsthaus Gras, Austria, Museum of Modern Art Jean-Duc, Luxembourg. Museo Rufino Tamayo, Mexico City.  His performances have taken place at Los Angeles Contemporary Exhibitions, MOT International in London, 356 Mission Rd, Los Angeles.


Jean-Michel Espitallier, Espitallier’s Theorem


There’s nothing here to be measured
– simply take your share. Pensa, lettor.
The rift in perspective – a record of intuitive endeavors
serendipitous at the graft – limned by the eye.
Blood on the chain, a form of motion
written in black and blue, the body means to go back.
Verticals stagger and extend the spiral
– resisting the pull of gravity, slicing
a disputed form into gestures. Said
– to be – said to be, seen. Said to be.
Argot, hieroglyphics, and the play of appearances,
micromass of all sorts. Tilt of lens,
shape and angle of mirror, light caught in the bevel
from the torch of Phlegyas. Prenda, lettor.

Born in New Kensington, Pennsylvania in 1943, Ray DiPalma received his BA from Duquesne University and his MFA from the University of Iowa. From 1968–1975 he taught poetry at Bowling Green University and moved to New York in 1975. Author of more than forty books of poetry, DiPalma has also published many editions of visual work, including one-of-a-kind artist’s books, sound texts, collages and prints. Among his earlier published collections are January Zero (1984), Raik (1989), Numbers and Tempers (1993), Hôtel des ruines (1993), Provocations (1994), Le tombeau de Reverdy (1998), Letters (1998) and Gnossiennes (2005). His most recent books include L’Usage ancien de la pierre (Editions Greges, 2007), Quatre poèmes (Editions Comp’Act, 2006; both translated by Vincent Dussol), and Caper (with Paul Vangelisti; ML & NLF, Piacenza, 2006). He lives in New York City and teaches at the School of Visual Arts.


  • ISBN: 978-0-9796177-5-1
  • Price:$14.95
  • Published 2009
  • 213 pages

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