Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Laura Mullen, Enduring Freedom

 

She appears to be recognized as herself and not herself, new because endlessly recycled, not what she was but not what she will be – see? Not married and not not married, the processional’s a ritual meant to extend a magical present, until the head of this pin is the size of a rented hall and all of us angels stepping out on the long blank train of her on-going gown. To go in single and come married out is easy enough, what matters is to enlarge the inter- stitial, to live as long as we can in the not exactly no longer and the not quite not yet also. Where organ music drowns the ill-digested vows and the empty stomach growls. Hesitant. The BND goes down slow as a pill we can’t really swallow, stuck chunk in a stalled gulp between yesterday and tomorrow, at one and the same time belated and punctual….

 

Laura Mullen is the author of seven books: Enduring Freedom: A Little Book of Mechanical Brides, The Surface, After I Was Dead, Subject, Dark Archive, The Tales of Horror, and Murmur. Recognitions for her poetry include Ironwood’s Stanford Prize, two Board of Regents ATLAS grants, a National Endowment for the Arts Fellowship and a Rona Jaffe Award, among other honors. She has had several MacDowell Fellowships and is a frequent visitor at the Summer Writing Program at the Jack Kerouac School of Disembodied Poetics at Naropa. Her work has been widely anthologized and is included in American Hybrid and I’ll Drown My Book: Conceptual Writing by Women. Undersong, the composer Jason Eckardt’s setting of “The Distance (This)” (from Subject) was released on Mode records in 2011. Mullen is the McElveen Professor in English at LSU and a special interest delegate in Creative Writing for the Modern Language Association. She is a contributing editor for the on-line poetry site The Volta.

Author website

 

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  • ISBN: 978-0-9796289-8-1
  • Price: $12.95
  • Published 2012
  • 80 pages

Buy Enduring Freedom

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