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  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

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  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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Leland Hickman, Tiresias: The Collected Poems of Leland Hickman

 

What may well be the defining trait of Hickman’s work is that it draws deeply from the ritualistic dithhyrambic culture out of which emerged the ambi-gendered figure of Tiresias and the public nature of the personal dilemmas he both endured and was called on to inform. That cultural spring – Hickman’s Tilphussa – is the lense through which the drama that characterizes the ‘Great Slave Lake Sweet,’ for example, might be viewed.

 

Los Angeles poet and editor Leland Hickman (1934-1991) was the author of two collections of poetry: Great Slave Lake Suite (1980), which was a finalist for the Los Angeles Times Book Award, and Lee Sr Falls to the Floor (1991). His poetry also appeared in The Hudson Review, Bachy, LA Weekly, Los Angeles Herald Examiner, Little Caesar, Invisible City, Box Car, and the anthology The Streets Inside: Ten Los Angeles Poets. He was the editor of the poetry journal Temblor, which ran for 10 issues during the 1980s.

Dennis Phillips’ many books of poetry include Credence, Study for the Ideal City, and Sand. He teaches at Art Center College of Design in Pasadena, California.

Bill Mohr’s Backlit Renaissance: Los Angeles Poets During the Cold War is forthcoming from the University of Iowa Press in 2010. He teaches at Cal State Long Beach.

 

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  • ISBN: 978-0-9822645-1-5
  • Price: $14.95
  • Published 2009
  • 220 pages

Buy Tiresias: The Collected Poems of Leland Hickman

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