• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Michael Joyce, Twentieth Century Man


Here is what you think. Someone, you think, has dragged Robert’s body off the path and deeper in the woods, perhaps burying it in a shallow grave or under leaves, which would mean that he had not killed himself, unless whoever had dragged him off had wanted to put off the discovery of his body for reasons of their own, say out of horror or because they loved him.


Michael Joyce's poems have been published in Beloit Poetry Journal, FOLLY (LA), Gastronomica, nor/, The Iowa Review, New Letters, Notre Dame Review, Parthenon West, Spoon River Review, New Review, OR (Otis Review), The Common, and THE SHOp (Cork). Together with Gabriella Frykhamn he has published translations of the Swedish modernist poet Karin Boye in Spoon River Review, Metamorphoses, and Notre Dame Review. He is the author of The War Outside Ireland (Tinkers Dam Prress, 1992), Was: Annales Nomadique, a Novel of Internet (Fiction Collective 2, 2007), Liam's Going (McPherson and Company, 2009), PARIS VIEWS (BlazeVOX [books], 2012), and DISAPPEARANCE (Steerage Press, 2012). In recent years he has been collaborating in multimedia work with LA visual artist Alexandra Grant. Together with his wife Carolyn Guyer, he lives along the Hudson River near Poughkeepsie where he is Professor of English at Vassar College.


  • ISBN: 978-0-9860173-2-2
  • Price: $12.95
  • Published 2014
  • 144 pages


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