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  • Bauhaus Dances

    Feb 07| Screening
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    Bauhaus Dances, 1986 presented by Debra McCall
    Sunday, February 7, 4pm, Otis Forum, Free

  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

O-Tube

Norman M. Klein, Freud in Coney Island and Other Tales

 

To enter, one had to pass through “Creation,” a music-hall version of Genesis. Creation began at the mouth of a huge tunnel, featuring the massive thighs and vagina of a plaster nude thirty feet high. Her breasts were larger than haystacks. She sparked at least two sentences. A phrase from one survives, in the recently uncovered Freud Ephemera: “…or do Americans prefer genitalia large enough to crush a man, or at least ruin his hat?”

 

Norman M. Klein is a cultural critic, urban and media historian, and a novelist. His books include: The History of Forgetting: Los Angeles and the Erasure of Memory (1997), Seven Minutes: The Life and Death of the American Animated Cartoon (1996), the data/cinematic novel, Bleeding Through: Layers of Los Angeles, 1920-86 (2003), and The Vatican to Vegas: The History of Special Effects (2004). He is professor of critical studies at CalArts, and an adjunct professor at ULSA and Art Center College of Design.

 

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  • ISBN: 0-9755924-6-7
  • Price: $12.95
  • Published 2006
  • 104 pages

Buy Freud in Coney Island and other tales

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