Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Martha Ronk Selected Poems

May 13, 2014
From "State of Mind"
Spotlight Category: Faculty

By Martha Ronk

Senior Lecturer, Graduate Writing

Driving

The film breaks into dialogue after long stretches
Of the sort of silence associated with wet roads
And the sounds of tires hissing in the trees as
The wind’s an artificial product of moving toward the horizon
As enclosure’s only a category of mind.
And then the final exchanges about the weather first
And tentative efforts to snare the other’s litany of complaints
The very act of driving was designed to eliminate any sense of.

 

The Moon over L.A.

The moon moreover spills over onto
The paving stone once under foot.
Plants it there one in front.
She is no more than any other except her shoulders forever.
Pull over and give us a kiss.
When it hands over the interchange
She and she and she. A monument to going nowhere,
A piece of work unmade by man. O moon,
Rise up and give us ourselves awash and weary—
We’ve seen it all and don’t mind

 

Pico Boulevard

From behind the glass they are unmitigatedly still
or passed over. Pico is another.
Driving is to driving as from one end to the other
over bridge and vale. Their eyes unnervingly swerved.
Celan says over wine and lostness, over
The running out of both.
I don’t find you behind any eyes you open.
After the earthquake it was closed to traffic.
I look at the eyes, the sex, the eyes.
We lap at it fearful of running out,
Gulps of red wine. He says
What can the translator mean by over?

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