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    SCREENING AND CONVERSATION with Margaret Prescod, Founder, Black Coalition Fighting Back Serial Murders and host of “Sojourner Truth” on Pacifica Radio’s KPFK.
    Nana Gyamfi, Lawyer-Black Lives Matter, Black Coalition Fighting Back Serial Murders.

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?

  • Industry Spotlight

    Oct 15| Special Event

    An advertising creative director for more than 25 years, Otis alumnus Josh Weltman was the Mad Men co-producer responsible for Don Draper's credibility as an advertising genius.


    Join us for a behind-the-scenes look at the hit series, plus hear key insights from Weltman's new book Seducing Strangers: How to Get People to Buy What You're Selling.


    October 15, 6:30 - 9:30 pm

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Yutaka Makino. He lives and works in Berlin.  Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Susan Choi’s first novel, The Foreign Student, won the Asian-American Literary Award for fiction, and her second novel, American Woman, was a finalist for the 2004 Pulitzer Prize. Her most recent novel, A Person of Interest, was a finalist for the 2009 PEN/Faulkner Award. With David Remnick she co-edited the anthology Wonderful Town: New York Stories from The New Yorker. A recipient of fellowships from the NEA and the Guggenheim Foundation, and in 2010, the inaugural winner of the PEN/W.G. Sebald Award, Choi lives in Brooklyn.

  • Joe Sola (‘99)’s work has been exhibited internationally in galleries and museums including: The San Francisco Museum of Modern Art, Los Angeles County Museum of Art, The Hammer Museum, The Hirshorn Museum and Sculpture Garden, The Andy Warhol Museum  and Kunsthaus Gras, Austria, Museum of Modern Art Jean-Duc, Luxembourg. Museo Rufino Tamayo, Mexico City.  His performances have taken place at Los Angeles Contemporary Exhibitions, MOT International in London, 356 Mission Rd, Los Angeles.


Guy Bennett: 2006-07 Faculty Development Grant Report


I was awarded a faculty development grant in spring 2007 in order to work on the exhibit Beyond the Iconic: Contemporary Photographs of Paris, which I curated with Béatrice Mousli and which was presented in the Getty Gallery of the Los Angeles Public Library from March 1–June 1, 2008. (The show was reviewed in the Los Angeles Downtown News and the Los Angeles Times, among other publications.) The exhibit was one of an on-going series of projects focusing on franco-american literary exchanges and cross-cultural perceptions more generally speaking, the goal in this case being to re-examine the “iconic” status of the French capital, and consider to the degree to which its romanticized image actually reflects its current urban reality. The exhibit was the counterpart of “Los Angeles, un autre regard sur une ville autre,” a colloquium we had organized the preceding year at the Bibliothèque nationale de France in Paris on the issue of the representation and perception of Los Angeles.

Grant moneys were used to pay for travel to and inside Paris, for research materials in the form of books and reviews, and for meals when out working. Curatorial work was done in the photographic collections of the Musée Carnavalet, which graciously provided the photographs for the exhibit. Supplemental research was carried out in the library of the Maison européenne de la photographie, which contained books and catalogs featuring several of the photographers included in the exhibit. In some cases we were able to meet and speak with the photographers themselves, which proved to be invaluable in understanding their working methods and materials, which were referenced in the panel texts and annotations of the exhibit, and discussed at length in the accompanying catalog, Beyond the Iconic: Contemporary Photographs of Paris, 1970–2003 (Los Angeles: Angel City Press, 2008), which I also wrote, designed, and typeset.

I am grateful to have received a grant in order to pursue this project, and thank the Faculty Development Committee for their consideration, and the college itself for supporting faculty projects.

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing

Beyond the Iconic

Beyond the Iconic cover