Events
  • Gracie DeVito’s work challenges codified modes of art making and production; the output of the work shifts fluidly from painting, to sculpture, to found objects, to performance. Characters and motifs, manifested by DeVito herself or by the characters she creates, rotate through the 2D and 3D spaces of her pieces. 

  • Campus Safety Training

    Dec 08| Special Event
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    You are invited to attend a very important training presentation by the Los Angeles Police Department. The training session is designed to give participants insight and response options when encountering an active shooter.

  • Joint Venture

    Dec 10| Exhibition
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    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
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    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
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    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

  • Opening Reception

    Jan 28| Special Event
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    In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections. New York-based artist Anna Craycroft applies this technique both literally and metaphorically to the Ben Maltz Gallery for her exhibition Tuning the Room. Craycroft’s exhibition asks that we consider how the specific characteristics of an environment shape our experience within it, and how we become attuned in return.

O-Tube

Guy Bennett: 2006-07 Faculty Development Grant Report


Report:

I was awarded a faculty development grant in spring 2007 in order to work on the exhibit Beyond the Iconic: Contemporary Photographs of Paris, which I curated with Béatrice Mousli and which was presented in the Getty Gallery of the Los Angeles Public Library from March 1–June 1, 2008. (The show was reviewed in the Los Angeles Downtown News and the Los Angeles Times, among other publications.) The exhibit was one of an on-going series of projects focusing on franco-american literary exchanges and cross-cultural perceptions more generally speaking, the goal in this case being to re-examine the “iconic” status of the French capital, and consider to the degree to which its romanticized image actually reflects its current urban reality. The exhibit was the counterpart of “Los Angeles, un autre regard sur une ville autre,” a colloquium we had organized the preceding year at the Bibliothèque nationale de France in Paris on the issue of the representation and perception of Los Angeles.

Grant moneys were used to pay for travel to and inside Paris, for research materials in the form of books and reviews, and for meals when out working. Curatorial work was done in the photographic collections of the Musée Carnavalet, which graciously provided the photographs for the exhibit. Supplemental research was carried out in the library of the Maison européenne de la photographie, which contained books and catalogs featuring several of the photographers included in the exhibit. In some cases we were able to meet and speak with the photographers themselves, which proved to be invaluable in understanding their working methods and materials, which were referenced in the panel texts and annotations of the exhibit, and discussed at length in the accompanying catalog, Beyond the Iconic: Contemporary Photographs of Paris, 1970–2003 (Los Angeles: Angel City Press, 2008), which I also wrote, designed, and typeset.

I am grateful to have received a grant in order to pursue this project, and thank the Faculty Development Committee for their consideration, and the college itself for supporting faculty projects.

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing

Beyond the Iconic

Beyond the Iconic cover

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