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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

O-Tube

Guy Bennett: 2009-10 Faculty Development Grant Report


Report:

I received a Faculty Development Grant in 2010 in support of the creation of an audio-textual work for submission to the media poetry competition of the 2011 Biennale internationale des poètes en Val de Marne (BIPVAL), an international poetry festival based in Paris, France. Grant monies were used for research travel to and within Paris in summer 2010 as well as for a set of monitors used in composing and editing this work.

The piece, entitled Sound Memory, is an exploration of the relationship between sound, memory, and the imagination, in the context of short wave radio transmissions. I began writing the textual portion of it in spring 2010, completing it later that summer while researching at the Maison de la Radio and at the Institut national de l'audio visuel in Paris. The audio portion of the work was created that fall in Los Angeles. It consists of readings of the text and a sound collage combining recordings of shortwave radio, lost musics, and radio noise. The vocal part was recorded in the video lab at Otis, and the sound collage was created on my computer, which I also used to edit and mix the work.

Sound Memory was submitted to the BIPVAL media poetry competition in late-December 2010. As of this writing (April 25, 2011), I do not know whether my piece has been selected for public presentation at the Biennale, which will take place in late May.

I would like to thank the Faculty Development Committee for their consideration, and the college for its continued support of faculty projects.

Project description and sound file: http://www.guybennett.com/#798696/Sound-Memory/
Biennale internationale des poètes en Val de Marne: http://www.biennaledespoetes.fr/

--Guy Bennett
Liberal Arts and Sciences, Graduate Writing