• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Heather Joseph-Witham: 2009-10 Faculty Development Grant Report


I received a faculty development grant to aid me in my research activities during Fall 2009 and Winter 2010. I am in the process of researching various customs and methods people create and maintain in order to contact the dead. This research will culminate in a book-length manuscript. As all of my research is grounded in fieldwork, and particularly in the field method called ‘participant-observation’, I used the grant money for several trips in order to view and join those involved in different forms of afterlife contact.

I have used this research to present a scholarly paper, will use it for a manuscript and I will also incorporate all of it into my Integrated Learning course, ‘Modern Mysticism and the Afterlife’. I would like to thank Otis College for this wonderful grant. I recognize that some of the research topics I choose as a folklorist may seem rather extreme to many scholars but Otis provides a supportive and non-judgmental atmosphere that enables its academics to pursue their academic passions and shine in their disparate areas of expertise. This creates an open and accommodating atmosphere both for instructors and also for students who are likewise inspired to explore aspects of the world they find most fascinating through their papers and artwork.

--Heather Joseph-Witham
Liberal Arts and Sciences

Read Full Report [PDF]

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