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  • Bauhaus Dances

    Feb 07| Screening
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    Bauhaus Dances, 1986 presented by Debra McCall
    Sunday, February 7, 4pm, Otis Forum, Free

  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

O-Tube

Holly Tempo: 2009-10 Faculty Development Grant Report


Funded Project:

Attendance at the Can Serrat Artist Residency Program in El Bruc, Spain, October 1-31, 2009 to explore the relationship between color and dystopia and create an artist book.

I have always wanted to visit Spain, and finally got an opportunity to do so in October. I took a month off from teaching and spent time at the Masia Can Serrat, a creative enclave established by 12 Norwegian artists some 20 years ago. Can Serrat is located in the small town of El Bruc and is 45 minutes by bus from Barcelona.

I went to Spain to work on an artist book about color and dystopia. A dystopia is defined as an undesirable society where the quality of life is both defined and compromised by oppression, poverty, violence, and disease, resulting in unhappiness, suffering and pain. A dystopic society may also be a society that self-identifies as a utopia, but suffers from one fatal flaw.

I went to Can Serrat, expecting to intellectually consider unhappiness while living and working in a pastoral setting with other creative people. What I found when I arrived was that I was to reside in close proximity to a clique of misanthropes; and, by default, experience dystopic living first-hand. As the saying goes: Be careful what you go looking for as you may find it…

--Holly Tempo
Associate Professor of Painting, Fine Arts

Read Full Report [PDF]

Olive orchard near Can Serrat

Olive orchard near Can Serrat

Masia Can Serrat

Masia Can Serrat

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