• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Holly Tempo: 2009-10 Faculty Development Grant Report

Funded Project:

Attendance at the Can Serrat Artist Residency Program in El Bruc, Spain, October 1-31, 2009 to explore the relationship between color and dystopia and create an artist book.

I have always wanted to visit Spain, and finally got an opportunity to do so in October. I took a month off from teaching and spent time at the Masia Can Serrat, a creative enclave established by 12 Norwegian artists some 20 years ago. Can Serrat is located in the small town of El Bruc and is 45 minutes by bus from Barcelona.

I went to Spain to work on an artist book about color and dystopia. A dystopia is defined as an undesirable society where the quality of life is both defined and compromised by oppression, poverty, violence, and disease, resulting in unhappiness, suffering and pain. A dystopic society may also be a society that self-identifies as a utopia, but suffers from one fatal flaw.

I went to Can Serrat, expecting to intellectually consider unhappiness while living and working in a pastoral setting with other creative people. What I found when I arrived was that I was to reside in close proximity to a clique of misanthropes; and, by default, experience dystopic living first-hand. As the saying goes: Be careful what you go looking for as you may find it…

--Holly Tempo
Associate Professor of Painting, Fine Arts

Read Full Report [PDF]

Olive orchard near Can Serrat

Olive orchard near Can Serrat

Masia Can Serrat

Masia Can Serrat

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