Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

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Holly Tempo: 2009-10 Faculty Development Grant Report


Funded Project:

Attendance at the Can Serrat Artist Residency Program in El Bruc, Spain, October 1-31, 2009 to explore the relationship between color and dystopia and create an artist book.

I have always wanted to visit Spain, and finally got an opportunity to do so in October. I took a month off from teaching and spent time at the Masia Can Serrat, a creative enclave established by 12 Norwegian artists some 20 years ago. Can Serrat is located in the small town of El Bruc and is 45 minutes by bus from Barcelona.

I went to Spain to work on an artist book about color and dystopia. A dystopia is defined as an undesirable society where the quality of life is both defined and compromised by oppression, poverty, violence, and disease, resulting in unhappiness, suffering and pain. A dystopic society may also be a society that self-identifies as a utopia, but suffers from one fatal flaw.

I went to Can Serrat, expecting to intellectually consider unhappiness while living and working in a pastoral setting with other creative people. What I found when I arrived was that I was to reside in close proximity to a clique of misanthropes; and, by default, experience dystopic living first-hand. As the saying goes: Be careful what you go looking for as you may find it…

--Holly Tempo
Associate Professor of Painting, Fine Arts

Read Full Report [PDF]

Olive orchard near Can Serrat

Olive orchard near Can Serrat

Masia Can Serrat

Masia Can Serrat

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