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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Holly Tempo: 2009-10 Faculty Development Grant Report


Funded Project:

Attendance at the Can Serrat Artist Residency Program in El Bruc, Spain, October 1-31, 2009 to explore the relationship between color and dystopia and create an artist book.

I have always wanted to visit Spain, and finally got an opportunity to do so in October. I took a month off from teaching and spent time at the Masia Can Serrat, a creative enclave established by 12 Norwegian artists some 20 years ago. Can Serrat is located in the small town of El Bruc and is 45 minutes by bus from Barcelona.

I went to Spain to work on an artist book about color and dystopia. A dystopia is defined as an undesirable society where the quality of life is both defined and compromised by oppression, poverty, violence, and disease, resulting in unhappiness, suffering and pain. A dystopic society may also be a society that self-identifies as a utopia, but suffers from one fatal flaw.

I went to Can Serrat, expecting to intellectually consider unhappiness while living and working in a pastoral setting with other creative people. What I found when I arrived was that I was to reside in close proximity to a clique of misanthropes; and, by default, experience dystopic living first-hand. As the saying goes: Be careful what you go looking for as you may find it…

--Holly Tempo
Associate Professor of Painting, Fine Arts

Read Full Report [PDF]

Olive orchard near Can Serrat

Olive orchard near Can Serrat

Masia Can Serrat

Masia Can Serrat