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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Illustration Alumnus Cole Moss

Dec 16, 2013
Spotlight Category: Alumni

Cole Moss (’11 Communication Arts) started Unicorn Industries/Grey Rainbow as chief illustrator, primary concept developer, full-time researcher, and resident fool.

I make projects that are for adults, but can be understood by children. My thought was that I would keep making work about things that interested me, and naturally, if the idea was worthy of discussion, the project would gather its own audience within a reasonable spectrum. With each subsequent project, I work to alienate myself while attracting a stronger, hopefully hungrier audience.
For example, Sunday, February 26: losing sleep, mid-afternoon runs, close proximity to a quality blender, opportunity to work relatively clothed for weeks on end, developing new constraints to keep myself productive, and the loss of apprehension when it comes to choosing socks that match.
I am always doing my best impression of a factory, while trying to not think about the smokestacks of others.

I took a road trip through northern California, and a friend asked me what I did to promote my work. One evening, tucked away in a run-down 1970′s strip motel, I pulled up a few humor sites that I had initially missed and sent a few cold promotional emails to them. A few days later, I was standing in line at LAX heading back to Missouri. I feel a buzz in my pocket and it’s a text message from a friend saying that my book was on the front page of a really large social news aggregate website called Reddit. One of the websites that I had emailed put my book on their blog, and it was picked up by a handful of other sites immediately. From one little email to a humor website, the floodgates opened. Within the week, I had over 200,000 visitors to my website, and by the end of the month I had offers from a handful of great publishers to produce my book. (for sale on Amazon, or at Barnes and Noble or Urban Outfitters.)
Otis gave me the opportunity to explore every whim and passing fancy. It allowed me the chance to delude myself, rationalize my actual skill set, and then proceed to make things that, in their outward appearance, seem relevant to society.

 

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