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Events
  • Otis welcomes the Japan Foundation and honored guests Kashiwagi Hiroshi and Yoshifumi Nakamura for a lecture on contemporary Japanese design. 
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

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Illustration Alumnus Cole Moss

Dec 16, 2013
Spotlight Category: Alumni

Cole Moss (’11 Communication Arts) started Unicorn Industries/Grey Rainbow as chief illustrator, primary concept developer, full-time researcher, and resident fool.

I make projects that are for adults, but can be understood by children. My thought was that I would keep making work about things that interested me, and naturally, if the idea was worthy of discussion, the project would gather its own audience within a reasonable spectrum. With each subsequent project, I work to alienate myself while attracting a stronger, hopefully hungrier audience.
For example, Sunday, February 26: losing sleep, mid-afternoon runs, close proximity to a quality blender, opportunity to work relatively clothed for weeks on end, developing new constraints to keep myself productive, and the loss of apprehension when it comes to choosing socks that match.
I am always doing my best impression of a factory, while trying to not think about the smokestacks of others.

I took a road trip through northern California, and a friend asked me what I did to promote my work. One evening, tucked away in a run-down 1970′s strip motel, I pulled up a few humor sites that I had initially missed and sent a few cold promotional emails to them. A few days later, I was standing in line at LAX heading back to Missouri. I feel a buzz in my pocket and it’s a text message from a friend saying that my book was on the front page of a really large social news aggregate website called Reddit. One of the websites that I had emailed put my book on their blog, and it was picked up by a handful of other sites immediately. From one little email to a humor website, the floodgates opened. Within the week, I had over 200,000 visitors to my website, and by the end of the month I had offers from a handful of great publishers to produce my book. (for sale on Amazon, or at Barnes and Noble or Urban Outfitters.)
Otis gave me the opportunity to explore every whim and passing fancy. It allowed me the chance to delude myself, rationalize my actual skill set, and then proceed to make things that, in their outward appearance, seem relevant to society.

 

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