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Events
  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
    More

    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

    Seating is limited.

    Maps & Parking Information

  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

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Workshops and Schedule

 

Workshops
All Communication Arts students are required to pass three workshops prior to graduation. Passing the workshops counts toward their Practicum grades. Workshops vary in length; students work on a project or set of exercises along with the instructor in order to acquire specific software skills. See the schedule and workshop descriptions below for more information.

Still have questions? Visit the Frequently Asked Questions page in the menu to the left.
Have an idea for a workshop you don’t see listed here. Email Tanya with your suggestion at trubbak@otis.edu.

FALL 2012 SCHEDULE
Here is the schedule and the descriptions of workshops for the fall semester. All workshops take place in the Learning Lab for Technology, Ahmanson Building, Room 501A.

 

Downloadable Schedule

Date/Time

 

Instructor

 

Workshop

 

 

Tuesday, 3:45 to 6:45 pm

 

Rebecca Chamlee

 

InDesign 2

 

SEPT 4, SEPT 11, SEPT 18, SEPT 25

 

 

 

 

Photoshop 2

 

OCT 2, OCT 9, OCT 16, OCT 23

 

 

 

 

Illustrator 2

 

OCT 30, NOV 13, NOV 20, NOV 27

Wednesday, 3:45 to 6:45 pm

 

Salvador Orara

 

Web 1

 

SEPT 12, SEPT 19, SEPT 26

 

 

 

 

Web 2

 

OCT 3, OCT 10, OCT 17

 

 

 

 

Web 1

 

OCT 24, OCT 31, NOV 7

 

 

 

 

Web 2

 

NOV 14, NOV 28, DEC 6

Thursday, 3:45 to 6:45 pm

 

Alex Maloutas

 

InDesign 1

 

SEPT 6, SEPT 13, SEPT 20, SEPT 27

 

 

 

 

Photoshop 1

 

OCT 4, OCT 11, OCT 18, OCT 25

 

 

 

 

Illustrator 1

 

NOV 1, NOV 8, NOV 15, NOV 29

 

Illustrator 1 • november 1–september 29 • instructor: maloutas
This workshop is an introduction to Illustrator as a program best used to create and manipulate vector image files. We will cover in very simple terms the tools and windows you will need to navigate and use the program to create vector files as well as importing image files. From this 4 week workshop you will be able to create, manipulate and save vector objects and files for use in other software.

Illustrator 2 • october 20–november 27 • instructor: chamlee
In this Intermediate Illustrator workshop you will learn advanced path manipulation and appearance controls. This workshop covers working with layers, color swatches, symbols, brushes, blends, masking techniques, the pen tool and step and repeat to create ornaments and seamless patterns.

InDesign 1 • september 6–september 27 • instructor: maloutas
This workshop is an introduction to InDesign as a program best used for design layout of multiple page documents. We will cover in very simple terms the tools and windows you will need to navigate and use the program to execute design plans. From this 4 week workshop you will be able to use the program with basic knowledge of where the tools and information/selection windows are.

InDesign 2 • september 4–september 25 • instructor: chamlee
In this four-week InDesign 2 workshop you will learn how to use InDesign as a publication tool. You will develop your typesetting and layout skills by creating a multiple page publication project. We will address character, paragraph and object styles, baseline grids, linked text boxes, columns, images and output.

Photoshop 1 • october 4–october 25 • instructor: maloutas
This workshop is an introduction to Photoshop as a program best used to manipulate and create pixel based image files for further use in other applications. We will cover in very simple terms the tools and windows you will need to navigate and use the program. From this 4 week workshop you will be able to scan, manipulate and save files for use in other software.

Photoshop 2 • october 2–october 23 • instructor: chamlee
In this intermediate level workshop you will get a better understanding of PhotoShop as an effective image making and production tool. While creating a complex multiple layer collage project you will be introduced to various advanced selection techniques including image manipulation, color effects and color adjustment techniques using layer masks, adjustment layers and batch processing, all non-destructively.

Rebel Web 1: Fundamentals Through Play • september 12–september 26  • instructor: orara
Rebel Web 1: Fundamentals Through Play • october 24–november 7  • instructor: orara
The Rebel Web 1 workshops will discover the fundamentals of web design in playful and experimental ways to develop familiarity, intuition, and a fearless attitude with the medium of the web and its syntax. Specifically tailored and constrained exercises involving: layout, color, typography, image, sound, video, etc., will be provided to inspire and challenge the student to be creative.

The students will develop a personal collection of simple web experiences which will be curated into an on-line open source gallery of fun experimental web work, and archived on a class drive.

Rebel Web 2: Breaking Is Making • october 3–october 17 • instructor: orara
Rebel Web 2: Breaking Is Making • november 14–december 6 • instructor: orara
The Rebel Web 2 workshops will take a look at the WordPress framework, Javascript/JQuery, HTML5/CSS3; and through a series of destructive exercises learn how they function and how to be creative within them. Part of this process will involve sharing and exploring personal workflows from practicing professionals ie. tips, tricks, trade secrets; expressing how the knack for breaking is a way of making.

Specifically constrained experiments and exercise topics will include: strange interactions, broken themes, unplugging plug-ins, Javascript/jQuery jamming, authorship and acknowledgment.

The student’s work will be curated into an on-line open source gallery of fun experimental web work, and archived on a class drive.

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