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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Keith Downey: 2011-12 Faculty Development Grant Report


Excerpts:

Collaboration between the composer/pianist Timothy Johnson, Otis alumni Aaron Weldon and myself. The music is from Mr. Johnson's new album "A Guild to Misinterpreting the Past.”

From the outset, one of the main goals of this project has been to find a pragmatic methodology that would be first and foremost effective but also one that would be comprised of tools that are available to all students at Otis. With this in mind, we began with preliminary lens tests. We limited ourselves to Nikon and Canon still lenses (with a few exceptions, i.e., a lensbaby and the Tokina 11mm-16mm.) Our tests favored the older manual Nikon Nikkor lenses. Not only for their sharpness and color rendering but also for their practical mechanical build. We began the project using the RED Canon Lens Mount, coupled with inexpressive adapters that allow us to shoot with the Nikon lenses. Over the course of the project we purchased a Optitek Nikon ProLock Mount. This allowed us to bypass the adapters and mount the lenses directly onto our camera. It should be noted that we did not see any visual lost in the footage while using the adapters.

--Keith Downey
Associate Professsor, Digital Media

Read Final Report [PDF]