Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Keith Downey: 2011-12 Faculty Development Grant Report


Excerpts:

Collaboration between the composer/pianist Timothy Johnson, Otis alumni Aaron Weldon and myself. The music is from Mr. Johnson's new album "A Guild to Misinterpreting the Past.”

From the outset, one of the main goals of this project has been to find a pragmatic methodology that would be first and foremost effective but also one that would be comprised of tools that are available to all students at Otis. With this in mind, we began with preliminary lens tests. We limited ourselves to Nikon and Canon still lenses (with a few exceptions, i.e., a lensbaby and the Tokina 11mm-16mm.) Our tests favored the older manual Nikon Nikkor lenses. Not only for their sharpness and color rendering but also for their practical mechanical build. We began the project using the RED Canon Lens Mount, coupled with inexpressive adapters that allow us to shoot with the Nikon lenses. Over the course of the project we purchased a Optitek Nikon ProLock Mount. This allowed us to bypass the adapters and mount the lenses directly onto our camera. It should be noted that we did not see any visual lost in the footage while using the adapters.

--Keith Downey
Associate Professsor, Digital Media

Read Final Report [PDF]

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