Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Aubrey Beardsley's Illustrations

Aubrey Beardsley's Illustrations to Le morte d'Arthur and Salomé

Location: NC 978.5 M34 B42
Location: Special Collections Oversize NC 1115 B395

Aubrey Beardsley's (1872 - 1898) career was short and brilliant. He became notorious for his illustrations in two "decadent" periodicals of the period, The Yellow Book and The Savoy.

In 1892 Aubrey Beardsley was introduced to the publisher J. M. Dent, who commissioned the young artist to produce illustrations and decorations for an edition of Thomas Malory's novel Le morte d'Arthur. Beardsley worked on the project during 1893 and 1894.

"The years 1893-94 were perhaps the most important in Beardsley's career. He was hard at work producing illustrations and covers for books and periodicals, including his first commission, J. M. Dent's edition of Malory's Morte d'Arthur (Beardsley had been introduced to the publisher in the summer of 1892). This massive work, issued first in 12 parts and later in volume form, contained over 300 different illustrations, chapter headings, and vignettes. Also in 1893 the artist formed an alliance with the person who was to catapult him to fame and prove his downfall - Oscar Wilde."
- Life of Aubrey Beardsley

Beardsley - The Yellow Book, volume 1

Cover of The Yellow Book, volume 1

Beardsley - Self-Portrait

Self-portrait, ca. 1892, pen and ink wash

Beardsley - Le morte d'Arthur

Illustration from Le morte d'Arthur

Beardsley - Salome

The Peacock Shirt, illustration from Salomé by Oscar Wilde which was banned

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