Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

O-Tube

Imaging Projects

Artists' Books Image Database
In June 2003, the Getty Grant Program provided funds to the Millard Sheets Library to catalog and digitize our entire collection of 2,500 artists' books. As of January 2006, most of the project has been completed and the collection is available thorough to the public through a new digital asset management system and Collections Online website. (The original homegrown experimental database is no longer available.)

Digital Image Database (DID)
Since 2002, the Library's major project was to assist the art historians to move from slides to the use of digital images in the classroom. We adopted the James Madison Digital Image Database software. The DID allows professors to create lectures, digitally project images in the classroom, and then easily make them availableto students as web study guides.

Currently, there are over 17,000 images available, with more added every week. Although the collection focuses on Modernism, images of art, architecture, and design from many cultures and time periods are included. In accordance with fair use guidelines, the images are purchased from vendors, harvested from subscription databases, web databases, CD-ROMS, scanned from slides, and occasionally scanned from books and magazines. This database is password protected. An Otis Xnumber is required for access.

With the recent upgrade to the software, students can now also create slide shows.

Faculty Art Database
This project began in summer 2002. It provides information and access to select images of artwork produced by Otis faculty. Currently, 33 faculty are participating with 451 images available. Faculty are encouraged to contact the VRC if they wish their images added.

Otis History: Past and Present
The Otis Archives are now online with over 1,000 images, including the entire 80 pages of the 1975 historical document, The Otis Story.

Woman's Building Slide Archive
In 1997, as part of the Getty Information Institute's "Faces of L.A." Project, more than 1500 images documenting the history of this unique L.A. Arts institution were selected and digitized. They are now available through the Woman's Building site.

Digital imaging projects are primarily under the direction of Visual Resources Librarian, Heather Cleary.

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