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Events
  • Objects In Crisis is a series of two-person exhibitions by students in the Photography 3 class. 

     

    Exhbition 1--November 18-22:  Greg Toothacre and Lani De Soto

    Reception: Thursday, November 20 @ 6 pm

     

    Exhibition 2--December 2-6:  Allison Mogan and Tia Chen

    Reception:  Thursday, December 4 @ 6 pm

     

    Exhibition 3--December 8-12: Yijia Liu and Cara Friedman

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Hugo Hopping.

    Thursday, November 20th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Patrick Tighe, FAIA, is Principal and Lead Designer of Patrick Tighe Architecture. The firm is committed to creating an authentic, contemporary Architecture informed by technology, sustainability and building innovation. Since its inception in 2004, a strong and diverse body of projects has been realized that includes city-developed affordable housing, commercial, mixed-use projects, civic art, installations and residences.

  • Otis Radio: Rap Realm

    Nov 24| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

  • Eileen Cowin

    Nov 25| Lectures
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    Eileen Cowin is an artist who sees living as a means to break boundaries, and psychology as a way to confront us with strange attitudes or to implicate us in seemingly self-imposed spatial confinements. –Art Papers April 2007 by Eve Wood

     

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Kelmscott Chaucer

The Kelmscott Chaucer

Location: Z 232 M87 C52 1958

The original, printed in 1896 and limited to 425 copies, was designed to celebrate the art of bookmaking. Otis Library owns a facsimile edition published in 1958.

"The Kelmscott Chaucer was printed in two columns on handmade paper with specially designed large gothic type in red and black, with 87 woodcut illustrations and 116 full-page plates after designs by Sir Edward Burne-Jones, and numerous woodcut borders and initial letters designed for this work by William Morris. The opening double-page dazzles the eye with the sheer richness of its appearance. William Morris was particularly concerned that his books be conceived as a total unity so that the paper, ink, type and decorative motifs had a uniform and complementary style."
- University of Delaware Library

"As a leader of the Arts and Crafts Movement, William Morris rebelled against the harsh utilitarianism of the machine age. He sought a solution in the return to the methods and the materials of the fifteenth century, and to designs he hoped would convey the flavor of that age. In his effort to revive the art of hand-press printing and to elevate the humble beauty of the hand-made object, Morris produced one of the great books in the history of printing--the Kelmscott Chaucer. All aspects of this book's design and production refer back to the characteristics of the medieval manuscript. The Gothic typeface, the use of margins, the decorated initials and borders, and even the quality of the paper speak to an earlier sensibility. The densely patterned marginal motifs seen here in the Prologue to the Canterbury Tales, mimic the patterned wallpapers which Morris also popularized."
- Cornell Library Website

Kelmscott Chaucer - Title page and prologue

Two page spread with title page and first page of Prologue

Kelmscott Chaucer - Prologue illustration

Sir Edward Burne-Jones designed the eighty-seven pictures.

 

Kelmscott Chaucer - Title page

William Morris designed the full-page woodcut title, fourteen large borders, eighteen borders for the pictures.