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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Kelmscott Chaucer

The Kelmscott Chaucer

Location: Z 232 M87 C52 1958

The original, printed in 1896 and limited to 425 copies, was designed to celebrate the art of bookmaking. Otis Library owns a facsimile edition published in 1958.

"The Kelmscott Chaucer was printed in two columns on handmade paper with specially designed large gothic type in red and black, with 87 woodcut illustrations and 116 full-page plates after designs by Sir Edward Burne-Jones, and numerous woodcut borders and initial letters designed for this work by William Morris. The opening double-page dazzles the eye with the sheer richness of its appearance. William Morris was particularly concerned that his books be conceived as a total unity so that the paper, ink, type and decorative motifs had a uniform and complementary style."
- University of Delaware Library

"As a leader of the Arts and Crafts Movement, William Morris rebelled against the harsh utilitarianism of the machine age. He sought a solution in the return to the methods and the materials of the fifteenth century, and to designs he hoped would convey the flavor of that age. In his effort to revive the art of hand-press printing and to elevate the humble beauty of the hand-made object, Morris produced one of the great books in the history of printing--the Kelmscott Chaucer. All aspects of this book's design and production refer back to the characteristics of the medieval manuscript. The Gothic typeface, the use of margins, the decorated initials and borders, and even the quality of the paper speak to an earlier sensibility. The densely patterned marginal motifs seen here in the Prologue to the Canterbury Tales, mimic the patterned wallpapers which Morris also popularized."
- Cornell Library Website

Kelmscott Chaucer - Title page and prologue

Two page spread with title page and first page of Prologue

Kelmscott Chaucer - Prologue illustration

Sir Edward Burne-Jones designed the eighty-seven pictures.

 

Kelmscott Chaucer - Title page

William Morris designed the full-page woodcut title, fourteen large borders, eighteen borders for the pictures.