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  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • Emily Kendal Frey is the author of the poetry collections The Grief Performance, selected for the Cleveland State Poetry Center's 2010 First Book Prize by Rae Armantrout, and Sorrow Arrow, as well as the the chapbooks Frances, The New Planet, and Airport. The winner of the Poetry Society of America's Norma Farber First Book Award, Frey's poetry has appeared in the journals Octopus and the Oregonian. She lives in Portland.

    Seating is limited.

    Maps & Parking Information

  • Performance : Proust in one hour

    by Véronique Aubouy

    Duration : 60 minutes chrono

    In this performance I try to summarize in 60 minutes In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory.

  • Rear Window

    Kristin Moore
    Thesis Exhibition
    Feb 16th-19th, 2016

    Reception:

    Thursday, Feb 18th, 6-9PM

    Bolsky Gallery
    Otis College of Art and Design
    9045 Lincoln Blvd. 
    Los Angeles, CA 90045 
    310.846.2614


    Gallery Hours: Tues-Fri 10am-5pm, Sat-Sun 12pm-4pm

     

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

  • Mr. Yang Chen worked in real estate development companies for eight years and in architecture design companies for fourteen years, serving as architect, General Manager, and Executive President. From 2002 to 2007 he was General Manager of China Construction Design International (CCDI) Shanghai and COO of its headquarters in Shenzhen. He played a significant role in CCDI’s transition from a regional company of around 100 employees to a national corporation of over 3000 employees.

O-Tube

Maura Bendett: 2011-12 Faculty Development Grant Report


Project Description:

In Fall 2011 I received a Faculty Development Grant to purchase a MIG welder to fabricate my sculptures. I also received funds to purchase umbrella lights/stands, a seamless backdrop, and a tripod, which have enabled me to take professional quality photographs of my art. Additionally, I obtained financial support to buy two ceiling lighting fixtures for my studio.

Benefits:

Receiving this grant helped me in my studio practice in multiple ways. It has made it possible for me to weld my sculpture at my studio, instead of having to drive, with my sculpture, to another location to use borrowed welding equipment (#1, #2, #3, welded sculptures in various stages of production).

I have used the umbrella lighting system/seamless backdrop/tripod to shoot photos of my current work for professional activities. I have also been able to photograph several older sculptures that have been taking up space on my studio walls for a year (#4, light stands/umbrellas and installer Tom Villa hanging my ceiling lights). Afterwards, I moved the older sculptures into storage, thus creating additional walls on which to hang my current work.

However, the biggest impact so far has been the installation of the two new overhead ceiling lighting fixtures, (#5, both light fixtures installed and separated by a skylight). They have made a huge difference in the environment at my studio. Their bright light made it apparent to me that my studio desperately needed to be repainted (#6, #7, #8). One of the walls, a 14' brick wall, had never even been painted all the way up to the ceiling (#9). Because the new ceiling lights illuminated absolutely everything, down to the smallest detail, my studio looked much dirtier than I realized. As a result, I was inspired to bring my studio up to speed. Subsequently, I spent four exhausting days repainting the walls (#10, #11, repainting in progress). You can clearly see the difference in the before and after pictures. I also did some major spring-cleaning at the same time. At the present I feel my studio looks amazing (#12).

Value to Otis:

Now that my workspace projects a professional demeanor, I look forward to bringing my current Otis summer elective class, "Experimental Painting", (as well as future classes) to my studio for a field trip. I have also begun using my new photo equipment to create a power point presentation of my sculptures and drawings to show to my Principles of Design classes this fall. Neither of these projects would have been possible before without a Faculty Development Grant to acquire new equipment.

Conclusion:

It is vital to have a brightly lit and well-organized studio and work environment in order to create, maintain, and project a professional atmosphere. This is because as a professional artist I need to entertain studio visits from gallerists and curators, photograph and market images of my work, and to easily produce my sculptures. The Otis Faculty Development Grant has greatly enhanced my ability to accomplish these endeavors, and has been instrumental in helping me to strive to achieve my highest potential so far (#13, #14, #15, #16).

--Maura Bendett
Foundation

Read Full Report [PDF]

Ill. #12: Maura Bendett's Studio
Ill. #12: Maura Bendett's Studio

Work (ill. #15)
Ill. #15: Work by Maura Bendett

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