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Events
  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

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N.Y. learns from L.A.

Otis in the News

The New York TImes reports that L.A. may have something to teach N.Y. after all, at least in the art world. New York's museums are flooded with exhibitions of West Coast art: alumni Ken Price ('57) at the Metropolitan Museum and Drawing Center and Robert Irwin ('50) at the Whitney; James Turrell at the Guggenheim; Lyn Foulkes at the New Museum; Paul McCarthy at the Armory, and "State of Mind: New California Art circa 1970" at the Bronx Museum. As Holland Carter quipped, "How “California” is all of this? Totally. What can New York learn from it? We’re just finding out." About the exhibition of Price's work at the Met (originated by LACMA and designed by L.A.-based architect Frank Gehry), he says:
"Price, who died last year at 77, was in certain ways a classic Southern Californian. Born in Los Angeles and raised there in the 1930s and ’40s, as a kid he lived for surfing and jazz, and he had art on the brain from the start: drawing, painting, sculpturing, he liked it all. Where he departed from the stereotype was in the matter of focus: creatively, there was nothing laid-back about him. He was alert, hungry for input. One day on the beach he met a surfer named Billy Al Bengston (Otis classmate), a serious painter who, like Price, had an interest in ceramics. They buddied up and eventually shared a studio, but while Mr. Bengston stuck with painting, for Price clay became the way."

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