Events
  • Sitting in Sound

    Jul 15| Special Event
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    Image: Electronic Sound Bath
     

  • L: Nora Jane Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception: I Wish I Was a Telephone: Nora Jane Slade and Marisa Takal

    Celebrate the opening of the two-person exhibition of work by Los Angeles-based artists Nora Jane Slade and Marisa Takal.

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

    Opening Reception 3-5pm /  Curator and Artist led walk-thru of the exhibition, 3pm  /  Free

  • Talking to Action

    Sep 17| Exhibition
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    Image: Eduardo Molinari, Confluencia 2: Los Angeles River, 2016.

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

O-Tube

In the Studio with Alumna Hayley Quentin and 'ArtMaze Mag'

Quentin ('08) Speaks On Studio Rituals And Why She Returned to LA
By ArtMaze Mag

Reprinted from ArtMaze Mag

"Hayley Quentin’s ('08 Fine Arts) paintings challenge the conventional representation of male beauty and eroticism in art. Her ethereal facture is characterized by the interplay of diffuse and saturated oil colors, working together to create a lens through which the viewer sees the painted body.

From jewel-like watercolors to larger-than-life-size portraiture, Hayley repurposes traditional art making processes to explore her vision of male representation in contemporary art.

Hayley has also worked in film as Assistant Director and in art production while collaborating with fellow artist and director Juliacks in Helsinki and Lyon.

Born in Los Angeles, Hayley studied at Otis College of Art and Design, where she received a BFA with Honors. She has since spent 7 years living and working in Europe, mainly in the UK and France. She has recently returned to Los Angeles where she currently resides.

AMM: Tell us a little about your artistic background. When did you know you wanted to become an artist and how did you find your artistic voice?

HQ: There was never a doubt in my mind that I would make art. I was very lucky to have that creative desire fostered as a young person, which led me to study Fine Art at Otis College of Art and Design here in Los Angeles. That’s when I started to challenge conventional representation of male beauty and eroticism in my work.

My artistic voice is inherently a part of me and how I see the world. In a way it feels easy: if you’re an artist you do the things you like, and you’re never going to be ‘done’. In other ways it is very difficult: technique, subject, medium, concept – I’m trying to find the moment where a piece becomes more than the sum of its parts."

 

Read the full interview...

Source: artmazemag.com/hayley-quentin/

To learn more about Hayley Quentin, visit www.hayleyquentin.com.

Images: Haley Quentin in her studio, posed in front of LOOP #1, 2017 40" x 30", Oil on canvas. Featured on homepage: LOVE IS A WILD COMPUTER #3, 2016 28" x 22" Oil on canvas.

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