Events
  • Marisa Matarazzo is an Assistant Professor in the Graduate Writing program at Otis. She is the author of Drenched: Stories of Love and Other Deliriums, which Aimee Bender called "a collection that marks its own territory and stamps it out with a textured beauty." Her work has appeared in Faultline, Hobart, Fivechapters, Unstuck, and other literary journals, and she has taught at UCLA Extension, the Art Institute of California, Los Angeles, and UC Irvine.

  • Gracie DeVito’s work challenges codified modes of art making and production; the output of the work shifts fluidly from painting, to sculpture, to found objects, to performance. Characters and motifs, manifested by DeVito herself or by the characters she creates, rotate through the 2D and 3D spaces of her pieces. 

  • Campus Safety Training

    Dec 08| Special Event
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    You are invited to attend a very important training presentation by the Los Angeles Police Department. The training session is designed to give participants insight and response options when encountering an active shooter.

  • Joint Venture

    Dec 10| Exhibition
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    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
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    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
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    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

O-Tube

Whitney BIennial includes Otis alumnus and faculty member

John Mason, Joel Otterson

The Whitney Museum's Biennial opens Friday, March 7, and includes work by alumnus John Mason ('57) and faculty member Joel Otterson. Both artists blur the difference between art and craft.

Mason's abstract clay sculptures completed over the last six decades have contributed to changing the medium. From 1957-1965, Mason focused on exploring the physical properties of clay—its possibilities as well as its limitations, constantly experimenting with plasticity, pushing clay to its technical limits, and developing innovative firing techniques. His tall vertical sculptures, huge wall reliefs, cross forms and geometric shapes explore symmetry, rotation, mass, and the integration of color and form. His interest in primitive art is manifested in the mysterious and totemic quality of many of his works. L.A. art critic Suzanne Muchnic, writing for ArtNews, describes his position:A major figure in ceramic sculpture, Mason emerged in the mid-1950s as one of the leaders of a revolution that transformed clay from a craft to a fine art medium … In his latest work, Mason has proved himself a master builder and sculptor who knows how to get the most out of a relatively simple three-dimensional form.”  As John Coplans writes, “he is not only capable of endowing his massive images with a rich complexity of associative values, but in helping to free ceramics from its long tradition of vessel form and intimate scale he has persuasively demonstrated the flexibility of a hitherto limited material.”

 

Joel Otterson scours swap meets for found objects that become part of his assemblages. For the past 30 years, he has made sculpture that combines aspects of domestic handicraft with traditional sculptural materials such as copper pipe, woodworking, pottery, porcelain, china, earthenware, concrete, marble, and stained glass. Using quilting, lacemaking, and sewing, traditionally associated with feminine crafts, Joel turns these humble materials into muscular art. He was one of the youngest artists ever selected for a one-person exhibition in the Projects Room of the Museum of Modern Art, N.Y. (1987), and has been included in both the 1993 Venice Biennale, and "Made in L.A," the first California biennial held at the Hammer Museum, L.A. "Brancusi would be one of my favorite artists and influences. I make everything myself. I also love decorative arts, furniture, dinnerware, and architecture, because it’s all about living. My influences are eclectic, and for me it speaks about our “postmodern” world and especially about being American. I am very interested in how an inanimate object can trigger an emotion."



 

 

 

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