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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Whitney BIennial includes Otis alumnus and faculty member

John Mason, Joel Otterson

The Whitney Museum's Biennial opens Friday, March 7, and includes work by alumnus John Mason ('57) and faculty member Joel Otterson. Both artists blur the difference between art and craft.

Mason's abstract clay sculptures completed over the last six decades have contributed to changing the medium. From 1957-1965, Mason focused on exploring the physical properties of clay—its possibilities as well as its limitations, constantly experimenting with plasticity, pushing clay to its technical limits, and developing innovative firing techniques. His tall vertical sculptures, huge wall reliefs, cross forms and geometric shapes explore symmetry, rotation, mass, and the integration of color and form. His interest in primitive art is manifested in the mysterious and totemic quality of many of his works. L.A. art critic Suzanne Muchnic, writing for ArtNews, describes his position: “A major figure in ceramic sculpture, Mason emerged in the mid-1950s as one of the leaders of a revolution that transformed clay from a craft to a fine art medium … In his latest work, Mason has proved himself a master builder and sculptor who knows how to get the most out of a relatively simple three-dimensional form.”  As John Coplans writes, “he is not only capable of endowing his massive images with a rich complexity of associative values, but in helping to free ceramics from its long tradition of vessel form and intimate scale he has persuasively demonstrated the flexibility of a hitherto limited material.”

 

Joel Otterson scours swap meets for found objects that become part of his assemblages. For the past 30 years, he has made sculpture that combines aspects of domestic handicraft with traditional sculptural materials such as copper pipe, woodworking, pottery, porcelain, china, earthenware, concrete, marble, and stained glass. Using quilting, lacemaking, and sewing, traditionally associated with feminine crafts, Joel turns these humble materials into muscular art. He was one of the youngest artists ever selected for a one-person exhibition in the Projects Room of the Museum of Modern Art, N.Y. (1987), and has been included in both the 1993 Venice Biennale, and "Made in L.A," the first California biennial held at the Hammer Museum, L.A. "Brancusi would be one of my favorite artists and influences. I make everything myself. I also love decorative arts, furniture, dinnerware, and architecture, because it’s all about living. My influences are eclectic, and for me it speaks about our “postmodern” world and especially about being American. I am very interested in how an inanimate object can trigger an emotion."