Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

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Graduate Fine Arts

In a high-ceilinged warehouse in Culver City's burgeoning arts district, students have individual skylighted studios. Working with distinguished practicing artist faculty members, they develop a “personal vision” that has been filtered through history, gender, sexuality, culture and politics.They acquire the necessary technical and theoretical resources to develop an understanding of the demands of a professional practice. The program promotes strong interaction and critical dialogue among all participants, encouraging students to converse in the language of art. Students produce work that reflects their ideas, needs and ambitions, as well as the challenges of the artistic environment and contemporary issues and concerns.

Students and faculty alike help determine the direction of the program. Through student exchanges with the Sandberg Institute in Amsterdam, students gain a broader context. At the same time, the intimate community reflects the real working of the multilayered and diverse art, design and literary worlds, removing the walls between faculty and students.

Graduate students are accepted for admission in fall term. Spring admission is on a space-available basis only and arrangements must be made with the Graduate Chair. All named scholarships are awarded by the graduate faculty according to admissions ranking. They do not require a separate application; all accepted applicants are automatically considered. For information on how to apply for other forms of financial aid please contact admissions. Completed MFA application forms and required supporting documents must be on file at the Admissions Office by January 15 for the Fall Semester or November 1 for the Spring Semester.

Read the Current Newsletter.

 

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