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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Copyright & Fair Use Guidelines

Copyright Wordle

It is the intent of Otis College of Art & Design Library to adhere to the provision of the US Copyright Law (Title 17). The law is complicated, particularly as relates to educational and fair use. Below are useful sites which present various aspects and interpretations of compliance with the law to assist faculty, students, and the entire Otis Community who use copyrighted materials, text, and images for lectures, as well as for artmaking and on Otis' websites. Please educate yourself!

Copyright Policies: Everyone posting in O-Space is legally and ethically responsible for adhering to copyright laws. By uploading material to O-Space, you personally assume all legal responsibility for infringements. Course Readers should be used for all required readings. Articles should not routinely be scanned for O-Space.

 

Copyright Policy for Web-Based Instructional Materials at Otis

Most of what you find online is copyrighted material. This is true for all material on the Otis website and for all material that you access through the Otis Proxy Server. The Library contracts with several database publishers and vendors to provide these resources to Otis students and faculty for educational use only. They are made available to at no charge, but are subject to the conditions of the licensing contracts between Otis and the publishers.

 

Fair Use

Educational Use is defined as private study and research. Under fair use, works still in copyright may be used in student projects and for other educational uses without permission.

 

Online Resources

Code of Best Practices in Fair Use for Online Video (from the American University Center for Social Media)

Campus Guide to Copyright Compliance (Copyright Clearance Center)

Copyright and Fair Use (from Stanford University)

Copyright Clearance Center

Copyright Crash Course (from University of Texas System)

Digital Future Coalition Learning Center

A Map of Use Issues from University of Minnesota

US Copyright Office

 

Summary of Copyright Notice Required by HEOA