• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Copyright & Fair Use Guidelines

Copyright Wordle

It is the intent of Otis College of Art & Design Library to adhere to the provision of the US Copyright Law (Title 17). The law is complicated, particularly as relates to educational and fair use. Below are useful sites which present various aspects and interpretations of compliance with the law to assist faculty, students, and the entire Otis Community who use copyrighted materials, text, and images for lectures, as well as for artmaking and on Otis' websites. Please educate yourself!

Copyright Policies: Everyone posting in O-Space is legally and ethically responsible for adhering to copyright laws. By uploading material to O-Space, you personally assume all legal responsibility for infringements. Course Readers should be used for all required readings. Articles should not routinely be scanned for O-Space.


Copyright Policy for Web-Based Instructional Materials at Otis

Most of what you find online is copyrighted material. This is true for all material on the Otis website and for all material that you access through the Otis Proxy Server. The Library contracts with several database publishers and vendors to provide these resources to Otis students and faculty for educational use only. They are made available to at no charge, but are subject to the conditions of the licensing contracts between Otis and the publishers.


Fair Use

Educational Use is defined as private study and research. Under fair use, works still in copyright may be used in student projects and for other educational uses without permission.

A Code of Best Practices in Fair Use for the Visual Arts from College Art Association, 2015


Online Resources

Code of Best Practices in Fair Use (from the American University Center for Social Media)

Campus Guide to Copyright Compliance (Copyright Clearance Center)

Copyright and Fair Use (from Stanford University)

Copyright Basics (from NYU Libraries)

Copyright Clearance Center

Copyright Crash Course (from University of Texas System)

Digital Future Coalition Learning Center

A Map of Use Issues from University of Minnesota

US Copyright Office


Summary of Copyright Notice Required by HEOA

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