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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Oliver Payne, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Please join the Digital Media Department for a lecture by  Alina Chau.
    Chau is an Animator, Illustrator and Storyboard artist who has worked with Lucasfilm Animation, Technicolor Interactive Services, and Electronic Arts.  
    Alina Chau received her MFA from the University of California, Los Angeles. She spent over a decade working in the animation industry. Her most notable credit is on LucasFilm’s Emmy Award Winning program, “Star Wars: The Clone Wars.”
  • Kimberli Meyer trained as an architect and an artist, and has been the director of the MAK Center for Art and Architecture at the Schindler House in West Hollywood since 2002. She has initiated and curated many programs there, including the exhibitions How Many Billboards?

  • Industry Spotlight

    Oct 15| Special Event

    An advertising creative director for more than 25 years, Otis alumnus Josh Weltman was the Mad Men co-producer responsible for Don Draper's credibility as an advertising genius.

    Join us for a behind-the-scenes look at the hit series, plus hear key insights from Weltman's new book Seducing Strangers: How to Get People to Buy What You're Selling.

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Yutaka Makino. He lives and works in Berlin.  Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Susan Choi’s first novel, The Foreign Student, won the Asian-American Literary Award for fiction, and her second novel, American Woman, was a finalist for the 2004 Pulitzer Prize. Her most recent novel, A Person of Interest, was a finalist for the 2009 PEN/Faulkner Award. With David Remnick she co-edited the anthology Wonderful Town: New York Stories from The New Yorker. A recipient of fellowships from the NEA and the Guggenheim Foundation, and in 2010, the inaugural winner of the PEN/W.G. Sebald Award, Choi lives in Brooklyn.

  • Joe Sola (‘99)’s work has been exhibited internationally in galleries and museums including: The San Francisco Museum of Modern Art, Los Angeles County Museum of Art, The Hammer Museum, The Hirshorn Museum and Sculpture Garden, The Andy Warhol Museum  and Kunsthaus Gras, Austria, Museum of Modern Art Jean-Duc, Luxembourg. Museo Rufino Tamayo, Mexico City.  His performances have taken place at Los Angeles Contemporary Exhibitions, MOT International in London, 356 Mission Rd, Los Angeles.


Copyright & Fair Use Guidelines

Copyright Wordle

It is the intent of Otis College of Art & Design Library to adhere to the provision of the US Copyright Law (Title 17). The law is complicated, particularly as relates to educational and fair use. Below are useful sites which present various aspects and interpretations of compliance with the law to assist faculty, students, and the entire Otis Community who use copyrighted materials, text, and images for lectures, as well as for artmaking and on Otis' websites. Please educate yourself!

Copyright Policies: Everyone posting in O-Space is legally and ethically responsible for adhering to copyright laws. By uploading material to O-Space, you personally assume all legal responsibility for infringements. Course Readers should be used for all required readings. Articles should not routinely be scanned for O-Space.


Copyright Policy for Web-Based Instructional Materials at Otis

Most of what you find online is copyrighted material. This is true for all material on the Otis website and for all material that you access through the Otis Proxy Server. The Library contracts with several database publishers and vendors to provide these resources to Otis students and faculty for educational use only. They are made available to at no charge, but are subject to the conditions of the licensing contracts between Otis and the publishers.


Fair Use

Educational Use is defined as private study and research. Under fair use, works still in copyright may be used in student projects and for other educational uses without permission.

A Code of Best Practices in Fair Use for the Visual Arts from College Art Association, 2015


Online Resources

Code of Best Practices in Fair Use for Online Video (from the American University Center for Social Media)

Campus Guide to Copyright Compliance (Copyright Clearance Center)

Copyright and Fair Use (from Stanford University)

Copyright Basics (from NYU Libraries)

Copyright Clearance Center

Copyright Crash Course (from University of Texas System)

Digital Future Coalition Learning Center

A Map of Use Issues from University of Minnesota

US Copyright Office


Summary of Copyright Notice Required by HEOA