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Events
  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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About Periodical Indexes

About Indexes [aka Subscription Databases]

Each year millions of periodicals (magazines, journals, and newspapers) publish billions of articles. But you will need to locate only a few specific articles for your research project.

What exactly can you find in a periodical index?

Usually you find only citations to articles. A citation is like a pointer. It is the information needed to locate an article within a library - title of magazine, date of publication, and page number. An abstract may be added to the citation, especially in online versions.

Aren't all indexes basically the same?

Indexes differ mainly in the specific periodicals they include, not necessarily in the subjects they list or cover. Choose an index based on the type of periodicals in which you want to find articles.  

 

  Art Source OmniFile

Same movie,
same magazine

TITLE: The chambermaid on the Titanic (motion picture review). 
SOURCE: Film Quarterly v. 52 no2 (Winter '98-'99) p. 35-40 IL
TITLE: The chambermaid on the Titanic (motion picture review).
SOURCE: Film Quarterly v. 52 no2 (Winter '98-'99) p. 35-40 IL
Same movie,
different magazines

TITLE: Titanic (motion picture review). 
SOURCE: Sight & Sound ns8 (Feb. '98) p. 50-2 IL

TITLE: A critic's heart is an ocean of longing. 
SOURCE: Film Comment v. 34 (Mar./Apr. '98) p. 20-5 IL

TITLE: All hands on deck.  (Filming Titanic)
SOURCE: American Cinematographer v. 78 (Dec. '97) p. 30-6+ IL (pt col)

TITLE: Titanic (motion picture review).
SOURCE: People Weekly v. 50 no15 (Oct. 26 '98) p. 100 IL

TITLE: Titanic (motion picture review).
SOURCE: Newsweek v. 131 no15 (Apr. 13 '98) p. 70-1 IL

TITLE: Titanic (motion picture review).
SOURCE: Rolling Stone no783 (Apr. 2 '98) p. 30 IL