• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


CRAAP Detection: Criteria for Evaluating Information

War on Bullshit

  Questions to Ask Web Issues


How recent is the information?

Is it current enough for your topic? 

Has it been updated or revised?

Is the publication/copyright date clearly labeled?

  • Dates not always included on Web pages
  • If included, a date may have various meanings:
  1. Date information first written
  2. Date information placed on Web
  3. Date information last revised


Does the information relate to your topic or answer your question?

Is it easy to navigate and read?

Who is the intended audience?

Is the information at an appropriate level (i.e. not too elementary or advanced for your needs)?

Have you looked at a variety of sources before determining this is one you will use?

Would you be comfortable using this source for a research paper?

Are the topics included explored in depth?

  • Is there a contents page, site map, navigation bar?
  • Is it easy to navigate and read?
  • Are special plug-ins required?
  • Is there a way to return to the "home page" to determine the source of the information?
  • Often hard to determine extent of  Web coverage


Who is the author or creator?

What are the author's qualifications and credentials for writing about this subject?

How reputable is the publisher? 

Are there organization affiliations? And are they reputable?

Does the information provide references or sources for data or quotations?

  • Often difficult to determine authorship of Web sources 
  • Search engines may retrieve pages out of context making it difficult to know where you are
  • If author's name is listed, his/her qualifications are frequently absent 
  • Publisher responsibility often not indicated or easily found


Where does the information come from?

How reliable and free from error is the information? How do you know?

Were there editors and fact checkers?

Is the information supported by evidence?

Has the information been reviewed or refereed?

Can you verify the information in another source or from personal knowledge?

Is the content primarily opinion? Or is it balanced with multiple points of view?

Does the language or tone seem unbiased and free of emotion?

  • Anyone can publish on the Web
  • Web resources may not be verified by editors or checked for accuracy
  • No standards yet developed
  • Web pages move. If you quote this source, will it be available later?
  • Web pages are susceptible to accidental and deliberate alteration

Purpose / Point of View

Is the information presented with a minimum of bias? Is this fact or opinion?

Does the point of view appear objective and impartial?

Are there political, ideological, cultural, religious, institutional or personal biases?

To what extent is the information trying to sway the opinion of the audience?

Who is responsible for its dissemination?

What is the purpose of the information? Is it to inform, teach, sell, entertain or persuade?

Is the creator/author trying to sell you something?

Do the authors/sponsors make their intentions or purpose clear?

  • Goals and aims of the people or groups presenting material is often unclear
  • Web often functions as a "virtual soapbox" 
  • Distinction between advertising and information is blurred on Web


See also:
CRAAP Test Worksheet
Crap Detection 101 by Howard Rheingold