Otis College of Art and Design logo
Events
  • Angie Bray: Shhhh

    Jan 17| Exhibition
    More
    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
    More

    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Closing reception for exhibition Angie Bray: Shhhh

O-Tube

Senior Thesis for Fine Arts

Researching Creatively to Generate New Ideas

A successful thesis is dependent on finding good material to use, then organizing, and communicating that material for your project.

Please look carefully at the example below to see how the research process itself can be used to help generate ideas and focus your topic.

Example: (identity OR self-consciousness) AND (art OR artists )
(more on Boolean syntax)

When using many of the Otis subscription databases, you will automatically be offered a list of related, narrowing topics to choose from such as:

  • Identity in art
  • Blacks / Race identity
  • Gender identity in art
  • Identity in art / Exhibitions
  • Gender identity in art / Exhibitions
  • Self in art

If none of those seem to fit with your interests, the next step is to find an article that IS interesting to you and carefully examine it.

Try to discove other terms or related topics which could be good alternative keywords for your project on identity or consciousness. Notice especially which terms are used in the subject fields. The following citations were found in Wilson Omni.

Running List of Ideas

(interesting possible keywords and concepts to investigate further)



TITLE:

 

Subverting Assumptions of Female Beauty: An Interview with Ann-Sofie Back

female beauty

construction of beauty

feminity

transvestism

gender identity

fashion

 

SOURCE: Fashion Theory v. 11 no. 4 (December 2007) p. 391-401
ABSTRACT: An interview with the Swedish-born, London-trained designer Ann-Sofie Back. Back's intellectual approach to fashion places the construction of beauty, glamor, and femininity center-stage. Her designs focus on the irony and artificiality of fashion, and its ability to confound and complicate fixed identities. Referencing both the fashion system and her own life-experience, Back's work is simultaneously conceptually driven and very personal. Her work shows an understanding of the importance of fashion both as an artistic expression and as a commercial product that is ultimately meant to be worn. Topics discussed include ideas of identity in Back's work, her interest in transvestism, her choice of materials, her ideas regarding the commercial reality of fashion, and the relationship of her work to notions of female beauty. The interview concludes with a discussion of the relationship between Back's work and conventional notions of Swedish design.
SUBJECTS:

Gender identity and fashion

Fashion and art

Design/Sweden

Back, Ann-Sofie/Interviews



TITLE: Kathleen Browne: Specimens of Reflexivity

 reflexivity

subject

SOURCE: Metalsmith v. 26 no. 3 (Fall 2006) p. 20-7
ABSTRACT: The work of metalsmith Kathleen Browne is discussed. Looking at the artist's work generally means to be conscious of one's role as subject in the act of observing and therefore in the formation of looking as an object. Encouragement of this circularity stems from her embrace of the phenomenon of reflexivity inherent in the dynamic between observer and observed--the inescapable condition in which reality and identity reflect one another, which she has confronted largely through historical analyses. Perhaps the most interesting aspect of her work is the overt subjectivity in what otherwise presents itself as analysis, for it exemplifies instead of just commenting on the self-consciousness of contemporary enquiry. The writer examines Brown's series Sensum/Sensorum, Daily Confidential, and her most recent enamelware works addressing aspects of virtual reality.
SUBJECTS: Browne, Kathleen
 


TITLE: Yoshua Okon: Crying Wolf

voyeurism

self-reflexivity

psychological aspects

SOURCE: Flash Art (International Edition) v. 37 (January/February 2004) p. 96-9
ABSTRACT: Video artist Yoshua Okon poses exciting new questions to the relation between performance and video, set and location, voyeurism and participation. The most marked effect of Okon's work is an almost uncanny triangulation between comedy, critique, and satire. Almost everything that he has done effortlessly adjudicates the cultural, aesthetic, and subjective dimensions in play between these notions in such a way that social commentary is laced with humor, irony mediated by self-reflexivity, and improvised action tangled up in webs of class and identity. An overview of Okon's work is presented.
SUBJECTS:

Video art / Psychological aspects

Okon, Yoshua/Criticism
 


Helpful Research Facts

You may want to review the guides and tutorials found through the Information Literacy link on every library webpage. A very good Art History Writing Guide is available from University of NC at Chapel Hill.

Using the Otis Online Databases

The Library subscribes to many full-text databases that will lead you to good sources that you can use for you project. For this project, the Librarian recommends Art Full-Text, EBSCO OmniFile, E-Library, and Proquest.

Assistance Is Readily Available

The librarians and the library staff are your friends. Ask for reference or computer troubleshooting any time. The SRC also has tutors available to assist you with the writing of papers. Start early so that you will have time to avail yourself of these services. We all want to support your learning experience.