Events
  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

  • Emily Raboteau’s nonfiction work Searching for Zion was named a best book of 2013 by the Huffington Post and the San Francisco Chronicle, and was a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and a winner of a 2014 American Book Award. She is the author of a novel, The Professor’s Daughter, and her fiction and essays have been published and anthologized in Best American Short Stories, the New York Times, The New Yorker, Tin House, Buzzfeed, LitHub, The Guardian, Guernica, Virginia Quarterly, The Believer, and Salon. Other honors include a Pushcart Prize, the Chicago Tribune’s Nelson Algren Award, and fellowships from the NEA, the Lannan Foundation, and the MacDowell Colony. Raboteau teaches creative writing at City College in New York.

O-Tube

Collection Development Policies

Kerri Steinberg

As a full partner in the educational enterprise, the role of the Library is to support and enhance the learning experience of students. The main goals of the Library are to:

  1. Maintain collections of books, DVDs, databases, digital images, materials and other media that support the curriculum and goals of the college
  2. Create and implement an information literacy program to support the InfoLit Institutional Learning Outcome and embed it within the curriculum to the extent possible
  3. Teach students and faculty individually how to find and evaluate information-- visual, printed, and electronic
  4. Provide reference services for the college in general
  5. Maintain archives and digital repositories for Otis historical and assessment assets

Purpose of Library Collections

It is the role of the Director of the Library to select and manage the collections of the Library with the assistance of other librarians. The Academic Assembly and Chairs Council advise the Director on matters of policy relating to the collection.
Faculty and Chairs establish curriculum, advise students, and, in effect drive the collection needs of the Library. Whenever possible faculty bibliographies, course outlines, and specific recommendations are solicited and used to assist in collection development.                 
For the past several years, the Otis Library has been moving from book-centered to learning-centered, especially with the adoption of the InfoLit ILO and new LAS curricular changes.

Subject Areas

The collections support the mission of the college and are driven by the curriculum. The major focus is on visual art, design, and fashion with an emphasis on collecting specifically to support each major or concentration at Otis. The collection also supports curricula in art history, visual culture, critical studies, media studies, cultural studies, and, to varying levels, other subjects taught by the Liberal Studies department. The exception is Creative Writing Program. An excellent literature collection would be impossible to maintain for a library and budget of our size. Instead, we arrange for borrowing privileges for writing students to the Loyola Marymount Library.

Collecting

It is not the goal of this library to keep growing indefinitely in total number of volumes. The goal is to maintain a book collection of 45-50,000 volumes.
Specific requests by faculty are a high priority for acquisition. We also collect some material to support the extracurricular needs of the faculty and students. Student requests are also usually honored.
We will continually weed and replace outdated and little used material. Policies related to accession of donations are the same as those related to purchases. We are, however, very liberal in accepting donations as long as it is understood that we may sell or give away what we do not need. The library is thereby able to provide free or inexpensive resources to students through book sales and giveaways.
We do not provide Inter-Library Loan services. The cost of this service averages about $40-50 per item in addition to staff time for management and set up. It is usually more cost effective to purchase the item rather than borrow it.
Most material that support the art and design curriculum falls within the "initial study level" and the "advanced study level." Collecting to support liberal studies is primarily at the "basic level" with the exception of Art History, which is primarily at the "initial to advanced study level." Collecting outside the areas taught is done at the "minimal level" or not at all. (*See below for a definition of levels.)

Formats Collected:

books and monographs
e-books (via subscription, especially to supplement non-art holdings)
exhibition catalogs, museum and gallery publications
quick reference materials such as surveys & histories
catalog raisonné (some--when well-illustrated and affordable)
visual references (book format rather than picture files)
textbooks (only if donated by departments)
periodicals and serials
DVDs (art and artists, documentaries, animation, + some TV and features)
digital images
artists' books and book art
Web-based databases (via subscriptions)
Otis theses (when available)
Otis archival materials
Materials (new collection. Minimal level)

Formats Generally NOT Collected:

sales catalogues and auction catalogs (except those about particular subjects)
bibliographies
primary sources
microforms
slides
photographs and reproductions of works of art
sound recordings, films
works of art in editions (except when they could be defined as artists book)

Criteria for Selection:

faculty or student requests or on a course bibliography
reviews in tools such as Library Journal, Choice, and art journals
reputation of authors/artists
cost (rarely books over $125)
usability and readership level
quality of construction
historical importance
number and quality of reproductions
in English
overall balance of the collection
circulation statistics for similar materials

Weeding Criteria:

All of the above + the following:
total usage combined with last date circulated
deaccessioning of out-of-print materials is carefully considered
easy availability elsewhere, except art and design books
number of duplicate copies
age and/or condition
currency, timeliness
newer edition or better title available
if outside scope, suitability or appropriateness
unsolicited and unwanted gifts
fragility or need for special preservation attention
perception of possible future demand


Reviewed and approve by Academic Assembly, April 2015.
 

* Levels of Collecting Defined (Adapted from ARLIS Standards for Art Libraries)

A. Comprehensive Level. Everything by everyone in every language on a particular subject.

B. Research Level. Like UCLA, all major books, reference works, indexing services. Aimed at researchers, i.e. Ph.D.s.

C1. Advanced Study Level. Aimed at supporting advanced undergraduates or graduates. Wide range of current and retrospective materials. Complete collection of major writers, some selections of secondary writers, selections of journals, etc.

C2. Initial Study Level. Adequate to support undergraduate courses. Judicious selection from current monographs such as those reviewed in Choice, seminal retrospective monographs, such as titles from Books for College Libraries. Selections of important works in area, the most significant works of secondary writers; current editions of the most significant reference tools and bibliographies.

D. Basic Level. Highly selective collection which serves to introduce and define the subject and to indicate the varieties of information available elsewhere. Major dictionaries and encyclopedias, selected important works, historical surveys, important bibliographies, a few major periodicals in the field.

E. Minimal Level. Only a few very basic works.

 

Otis College Ranked 6th in Nation by The Economist