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Events
  • Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) founded Studio Orta in 1991. Lucy + Jorge Orta’s collaborative practice focuses on the social and ecological factors of environmental sustainability to realise major bodies of work employing drawing, sculpture, installation, object making, couture, painting and silkscreen printing, as well staging workshops, ephemeral interventions and performances.

  • Otis Community Banquet

    Oct 22| Special Event
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    In conjunction with the exhibition Food - Water - Life / Lucy + Jorge Orta
    Wednesday, October 22 | Bobrow Green
    11:30am – 12:30pm: Banquet for participating classes
    12:30 – 1:15pm: Open to Otis Community to view class projects created for Banquet, and sample soup and fruit-infused water

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artists Lucy + Jorge Orta.

    Thursday, October 23rd, 10am

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Artists Lucy + Jorge Orta in conversation with the curators Ginger Gregg Duggan and Judith Hoos Fox of the traveling exhibition Food - Water - Life / Lucy + Jorge Orta. The conversation is followed by a reception. Food - Water - Life / Lucy + Jorge Orta is on view in the Ben Maltz Gallery through December 6, 2014.

  • JP Munro

    Oct 28| Lectures
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    Born 1975, Inglewood, CA. Lives and works in Los Angeles, CA.

    chinaartobjects.com/artists/jp-munro/

  • Minor Declaration

    Oct 29| Student Event
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    Highly Recommended for Sophomores

  • Rob Spillman

    Oct 29| Lectures
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    Rob Spillman is Editor and co-founder of Tin House, which has been honored in Best American Stories, Best American Essays, Best American Poetry, O’Henry Prize Stories, the Pushcart Prize Anthology and numerous other anthologies. He is also Executive Editor of Tin House Books and co-founder of the Tin House Literary Festival. His writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Rolling Stone, Salon, Spin, Sports Illustrated, Time, Vanity Fair, Vogue, and elsewhere.

O-Tube

Contemporary Perspectives

Researching Concepts

A successful Contemporary Project is dependent on finding good material to use, then organizing, and communicating that material to your classmates. You may need to do some additional research and reading about your class themes (e.g. Transnationalism, Gender, Body). This type of problem-based research and learning requires a lot more creativity and critical thinking than simply researching an artist by name.
Please look carefully at the example below to see how the research process can be used to help generate ideas and focus your topic. The following citations found in Art Index and OmniFile

Example: transnationalism AND (art OR design) (more on Boolean syntax)
Other terms or related topics which could be good alternative keywords for your project on transnationalism. Notice especially which terms are used in the subject fields.
Running List of Ideas
(interesting possible keywords and concepts to investigate further)


TITLE:
 
The Spirit of the Ancestors: The Photography and Installation Art of Albert Chong and Wura-Natasha Ogunji postcolonial

diaspora

environment

African influences

specific artists: Chong, Ogunji
SOURCE: Canadian Woman Studies v. 23 no. 2 (Winter 2004) p. 14-20
ABSTRACT: Part of a special issue on women and the black diaspora. The writer investigates the photography and installation art of the African diaspora. She argues that this visual art is embodied in a set of assumptions that stems primarily from the contexts of ritual and scared spaces, postcolonial urban struggles, and transnationalism.
SUBJECTS:

Abstract photograph
Environment (Art)
Black art - African influences
Chong, Albert, 1958-
Ogunji, Wura-Natasha



TITLE: Annu Palakunnathu Matthew's "Alien": Copy with a Difference

difference

feminism

race

artist: Matthew

Bollywood (or India)

counterhegemonic

diaspora

globalization

interventionist

activism

motion picture posters

ethnic identity 

postmodernism
SOURCE: Meridians v. 6 no. 1 (2005) p. 82-110
ABSTRACT: Part of a special issue on feminism, race, and transnationalism. The writer analyzes two photographic works by Annu Palakunnathu Matthew: Bollywood Satirized, 1998-2001, and An Indian from India, 2001. The two series are particularly interesting in the way they identify and communicate a counterhegemonic position on diaspora and transnational identities and coalitions: The former rereads Bollywood's popular culture, and the latter calls into question the archives and rationale of Western identity formation. The two agendas are linked in that they enable the feminist political exposure of globalization's transcultural depoliticizing agenda. They express Matthew's activist challenge because both these interventionist photographic collages politicize the postmodern.
SUBJECTS:

India in art
Feminism and photography
Motion picture posters in art
East Indian Americans - Ethnic identity
Matthew, Annu Palakunnathu



TITLE: Crossings: Transnational Echoes and the Proximity of Distance

international artists

crossings

authentic/unauthentic

multiplicity

place

essentialism

transculturalism

identity in art

exhibitions

SOURCE: Third Text no. 46 (Spring 1999) p. 97-100
ABSTRACT: A review of "Crossings," an exhibition at the National Gallery of Canada, Ottawa, from August 7 to November 1, 1998. The show consisted of installations by 15 international artists, most of whom work and live in places other than that of their birth. Rather than the modernist "linear" crossings from origin to destination, local to global, or authentic to unauthentic, the artistic and curatorial work rendered an ambivalent multiplicity of criss-crossings that radically de-essentialized ideas of place, home, origin, and identity. The show successfully unsettled the relationship between the national and international and resonated with echoes of transnationalism and transculturalism.
SUBJECTS: International exhibitions
Identity in art - Exhibitions
Installations (Art) - Exhibitions

Helpful Research Facts

You may want to review the guides and tutorials found through the Information Literacy link on every library webpage. A very good Art History Writing Guide is available from University of NC at Chapel Hill.

Using the Otis Online Databases

The Library subscribes to many full-text databases that will lead you to good sources that you can use for you project. For this project, the Librarian recommends: NEW Opposing Viewpoints, Art Source, EBSCO OmniFile, E-Library, and Proquest.

Locating Older Journal Articles

You won't always find everything online in full-text. You may need to find an article in a print version of a periodical. The Otis collection of back issues of journals and magazines is quite good. The Library has hundreds of bound volumes of back issues. Some are in the Stacks and some in Annex, which requires paging. Check the Otis holdings to see exactly what we have and where it's kept.

Assistance Is Readily Available

The librarians and the library staff are your friends. Ask for reference or computer troubleshooting any time. The SRC also has tutors available to assist you with the writing of papers. Start early so that you will have time to avail yourself of these services. We all want to support your learning experience.