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  • Silke Otto-Knapp is a painter and associate professor of painting and drawing at UCLA. 
     
    She has had recent one-person exhibitions at Overduin and Kite, Los Angeles; Galerie Buchholz, Berlin; the Berkeley Art Museum/Pacific Film Archive; Greengrassi, London; Sadler’s Wells Theatre, London; Kunstverein Munich, Germany; Gavin Brown’s Enterprise, New York; the Banff Centre, Canada; Modern Art Oxford, UK; and Tate Britain, London.
     
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  • Sergej Jensen

    Mar 31| Lectures
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    Sergej Jensen’s work draws on a wide range of materials and formal references. Primarily known for his textile works, his lyrical compositions incorporate a variety of fabrics, from burlap and linen to silk and wool.
     
    He recently exhibited his work in the show "Classic" at Regen Projects, and his work is also included in LACMA's show "Variations: Conversations in and around Abstract Painting.”
  • Otis College of Art and Design Fine Arts Department presents the film collaborative from Berlin OJOBOCA.

     

    Thursday April 2nd, 2015
    7pm in Ahmanson Hall, lower-level screening room.
    9045 Lincoln Blvd, Los Angeles, CA 90045

     

  • Rea Tajiri

    Apr 07| Lectures
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    Rea Tajiri is a New York based filmmaker and educator who has written and directed an eclectic body of dramatic, experimental, and documentary films currently in commercial and educational distribution. She is also an Associate Professor at Temple University in the Film Media Arts Department.
     
    Learn more about the artist here.
     
  • Dusk to Dusk

    Apr 11| Exhibition
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    James Aldridge, The Gathering, 2010, Acrylic on canvas


    Dusk to Dusk: Unsettled, Unraveled, Unreal

    April 11 - July 26, 2015  |  Gallery Hours: Tue-Fri 10-5 / Thu 10-7 / Sat-Sun 12-4

  • Come fly a kite!

    Bring your family and friends to make and fly kites at the beach.

    Everyone will receive his or her own free, unique kite along with color theory instruction. Otis students will provide advice.

    Where

    Just north of the Santa Monica Pier
    Parking at the North Parking Lot 1: $12

    When

    Saturday, April 11, 2015, 10 am – 4 pm

O-Tube

Contemporary Perspectives

Researching Concepts

A successful Contemporary Project is dependent on finding good material to use, then organizing, and communicating that material to your classmates. You may need to do some additional research and reading about your class themes (e.g. Transnationalism, Gender, Body). This type of problem-based research and learning requires a lot more creativity and critical thinking than simply researching an artist by name.
Please look carefully at the example below to see how the research process can be used to help generate ideas and focus your topic. The following citations found in Art Index and OmniFile

Example: transnationalism AND (art OR design) (more on Boolean syntax)
Other terms or related topics which could be good alternative keywords for your project on transnationalism. Notice especially which terms are used in the subject fields.
Running List of Ideas
(interesting possible keywords and concepts to investigate further)


TITLE:
 
The Spirit of the Ancestors: The Photography and Installation Art of Albert Chong and Wura-Natasha Ogunji postcolonial

diaspora

environment

African influences

specific artists: Chong, Ogunji
SOURCE: Canadian Woman Studies v. 23 no. 2 (Winter 2004) p. 14-20
ABSTRACT: Part of a special issue on women and the black diaspora. The writer investigates the photography and installation art of the African diaspora. She argues that this visual art is embodied in a set of assumptions that stems primarily from the contexts of ritual and scared spaces, postcolonial urban struggles, and transnationalism.
SUBJECTS:

Abstract photograph
Environment (Art)
Black art - African influences
Chong, Albert, 1958-
Ogunji, Wura-Natasha



TITLE: Annu Palakunnathu Matthew's "Alien": Copy with a Difference

difference

feminism

race

artist: Matthew

Bollywood (or India)

counterhegemonic

diaspora

globalization

interventionist

activism

motion picture posters

ethnic identity 

postmodernism
SOURCE: Meridians v. 6 no. 1 (2005) p. 82-110
ABSTRACT: Part of a special issue on feminism, race, and transnationalism. The writer analyzes two photographic works by Annu Palakunnathu Matthew: Bollywood Satirized, 1998-2001, and An Indian from India, 2001. The two series are particularly interesting in the way they identify and communicate a counterhegemonic position on diaspora and transnational identities and coalitions: The former rereads Bollywood's popular culture, and the latter calls into question the archives and rationale of Western identity formation. The two agendas are linked in that they enable the feminist political exposure of globalization's transcultural depoliticizing agenda. They express Matthew's activist challenge because both these interventionist photographic collages politicize the postmodern.
SUBJECTS:

India in art
Feminism and photography
Motion picture posters in art
East Indian Americans - Ethnic identity
Matthew, Annu Palakunnathu



TITLE: Crossings: Transnational Echoes and the Proximity of Distance

international artists

crossings

authentic/unauthentic

multiplicity

place

essentialism

transculturalism

identity in art

exhibitions

SOURCE: Third Text no. 46 (Spring 1999) p. 97-100
ABSTRACT: A review of "Crossings," an exhibition at the National Gallery of Canada, Ottawa, from August 7 to November 1, 1998. The show consisted of installations by 15 international artists, most of whom work and live in places other than that of their birth. Rather than the modernist "linear" crossings from origin to destination, local to global, or authentic to unauthentic, the artistic and curatorial work rendered an ambivalent multiplicity of criss-crossings that radically de-essentialized ideas of place, home, origin, and identity. The show successfully unsettled the relationship between the national and international and resonated with echoes of transnationalism and transculturalism.
SUBJECTS: International exhibitions
Identity in art - Exhibitions
Installations (Art) - Exhibitions

Helpful Research Facts

You may want to review the guides and tutorials found through the Information Literacy link on every library webpage. A very good Art History Writing Guide is available from University of NC at Chapel Hill.

Using the Otis Online Databases

The Library subscribes to many full-text databases that will lead you to good sources that you can use for you project. For this project, the Librarian recommends: NEW Opposing Viewpoints, Art Source, EBSCO OmniFile, E-Library, and Proquest.

Locating Older Journal Articles

You won't always find everything online in full-text. You may need to find an article in a print version of a periodical. The Otis collection of back issues of journals and magazines is quite good. The Library has hundreds of bound volumes of back issues. Some are in the Stacks and some in Annex, which requires paging. Check the Otis holdings to see exactly what we have and where it's kept.

Assistance Is Readily Available

The librarians and the library staff are your friends. Ask for reference or computer troubleshooting any time. The SRC also has tutors available to assist you with the writing of papers. Start early so that you will have time to avail yourself of these services. We all want to support your learning experience.