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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

O-Tube

Introduction to Visual Culture

This assignment is no longer in use. (7/15/14)

 

Step 1:

This is the first Otis course where you will be required to learn and use research skills. The Librarian recommends that you the investigate the tutorials located on the Information Literacy Tutorials page.

Step 2:

Pick an artist/designer/maker and work from the following list. List of Artists/Designers

Step 3:

Read each assignment carefully. Understand what's expected. You will be creating an Annotated Bibliography to cite and evaluate each source you use. Take notes as you do your research. Use a citation formatter such as Easybib.com for the actual citation. Sample Annotations.

Step 4:

Learn how to use the Library's OPAC or online catalog. Find at least one book that includes information about your artist/designer/maker. Do a keyword search first to get an overview of what's available in the Otis Library. Remember, there will probably be more than one student researching each artist/maker and the number of books is limited. Start early with your research and be considerate of others.

In a few cases, you may be lucky enough to find an entire chapter or book about one work, but more likely you will not. Your goal for this step should be to find substantial information about your artist/maker and the context in which they worked.

Step 5:

Find two or more periodical articles. Start with EBSCO Art Source available through the databases link. (It searches 2 different databases at the same time--Art Source and Omni.) Try a key word search. If you get too many hits, limit searching to subject only. That way you'll exclude smaller mentions of your artist/maker. Some of the citations will be to the full-text of the article and some will lead you to the actual magazine.

Other good possible databases with full-text articles are ProQuest, JSTOR and E-Library. Each database interface is different and you'll need time to familiarize yourself with how they work. It's good practice for future research.

For those articles which are not "full-text," please check the Otis Library Magazine Holding List to see if we carry it. We have back issues of many art/design periodicals, so many will be available to you in print form. In either case, it will be helpful to look at the actual publication because writing the required annotation requires finding out more about the writer, editor, or magazine. Anyway, as art and design students, you will want to become familiar with as many of the periodicals as you can.

Warning! Don't try to do this step using a search engine on the free web. For this assignment, you are required to use the Otis subscription databases. We require it because we want you to become familiar with them. From experience, we know that a great deal of reliable information will be found there.

Step 6:

If you also want to use the free web, you may. If you do, search for a content-rich academic/educational websites about your artist/designer/maker. Searching the web can be overwhelming. Too much information may, in fact, be more trouble than not enough.

Pages ending in .org or .edu may be good ones, but make sure the author is not a student doing a class assignment or just a syllabus. Undergraduate college students are not considered "experts" in the field of art history. Try to find something written by a curator, museum professional, professional editor, or faculty member. It may be difficult to find the author's credentials. There are some tricks to this and we are happy to help you with this step. If you want to refine your skills or you are having trouble, go to the Library and talk with Sue Maberry, the Librarian. Finding information is her expertise.

Step 7:

Once you've found everything and read it, you're ready to type up your Annotated Bibliography. Use the categories described in Types of Information for your annotations. Remember to use MLA style for the citation portion. Many of the databases have a Cite button where they will provide the citation to the article in whatever style you need.

Step 8:

The librarians and the library staff are your friends. Ask for reference or computer troubleshooting assistance any time. You're not bothering us. Really.

The SRC has tutors available to assist you with the writing and word processing. Start early so that you will have time to avail yourself of these services. We are all committed to supporting your learning experience.

Helpful Links

List of Artists/Designers

Library Visit Worksheet

Citing Sources

Sample Annotations

ORE Form Helpful when preparing annotations

Types of Information

CRAAP Detection



 

Resources

Art History Tutoring Schedule

Student Resource Center

Art History Tutoring

Jeanne S. M. Willette in the SRC

Wednesday: 11 a.m. - 3 p.m.

Thursday: 11 a.m.- 6 p.m.

Student-Recommended Citation Formatters

Easybib.com

Citation Machine

KnightCite from Calvin College

Online Writing Help

Grammarly