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Events
  • Patrons Circle Tour

    May 30| Special Event
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    Otis' Patrons Circle Tour of Downtown L.A.!

    Discover how the creative economy is transforming downtown Los Angeles.  Studios and galleries continue to move to the heart of our city and into areas that were off the beaten path just a year ago. Otis Patrons Circle members will enjoy an Otis-inspired tour of downtown L.A.'s vibrant scene.  

    Tour includes:
    Visit to Kent Twitchell's ('77 MFA) new studio, followed by a short ride to see a few of his downtown murals

    Inside peek of Cynthia Vincent's ('88 Fashion Design) fashion design studio

  • Design Week 2015

    Jun 21| Special Event
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    OTIS’ MFA GRAPHIC DESIGN PROGRAM HOSTS:

    I AM THE CITY

    Design Week
    June 21-27, 2015

     

    VISITING ARTISTS

    Field Experiments: Benjamin Harrison Bryant, New York and Paul Marcus Fuog, Melbourne and Karim Charlebois-Zariffa, Quebec/NYC www.field-experiments.com

  • Bolsky

    Jun 27| Exhibition
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    Image: Erin Watson, Sausage, 2014, Inkjet print, 20 x 30 inches


    The Nature of Personal Reality

    June 27 – September 1, 2015
    Opening Reception: Saturday, June 27, 4-6pm
     

  • Opening Reception

    Jun 27| Special Event
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    Image: Erin Watson, Sausage, 2014, Inkjet print, 20 x 30 inches


    The Nature of Personal Reality

    Opening Reception: Saturday, June 27, 4-6pm

O-Tube

Two Winchester Bibles

The Two Winchester Bibles

Walter Oakeshott, Clarendon Press, 1981

Location: Special Collections

This large-format book is a study of the Winchester Bibles and the artists who illuminated them. Walter Oakeshott is a scholar in the area of Medieval Art and illustrated manuscripts.

The Winchester Bible is the finest of the great 12th century illuminated bibles, distinguished by its sheer size and sumptuous decoration. Using over 250 skins of calves, illuminators working over a period of 15 years depicted words and scenes from the Bible in pure gold and lapis lazuli from Afghanistan.

"Although the script of the Winchester Bible was mainly the work of one scribe, it was decorated by several artists working in widely different styles, both figural and decorative. It is difficult to imagine that artists of such widely differing attitudes could be contemporaries, although it is possible that some worked in conservative styles concurrently with others who were introducing new ideas. An understanding of the artists involved is complicated by the fact that some of them painted over drawings by others with the consequent interaction between the various styles. The differences between the artists suggest that they were lay professionals of diverse origins and artistic backgrounds, who were employed to decorate a Bible produced within the monastic scriptorium. Blank spaces in the book and illustrations left in a drawn stage reveal that its decoration was never completed." -- Oxford Art Online

Winchester Bible at BodleianDavid harping, and St. Jerome writing, in Beatus initial. Bible, Winchester, 2nd half of 12th century. ‘The Auct. Bible’ or ‘St. Hugh’s Bible’, vol. II. Bodleian Library, Oxford, England.

Winchester Bible at CathedralGod touches Jeremiah’s lips with the gift of prophecy. Cathedral Library, Winchester, England. Photo by John Crook.