Events
  • Alex Olson

    Dec 06| Lectures
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    Artsy best decribes Alex Olson’s works as "abstract, but that’s not how she would choose to refer to them: “In fact, the way I approach painting is almost the opposite in that nothing is an abstraction of something else,” she says. “It literally is what it is.” Olson’s paintings aim to be exact records of how they were made, self-evident in their construction.

  • Marisa Matarazzo is an Assistant Professor in the Graduate Writing program at Otis. She is the author of Drenched: Stories of Love and Other Deliriums, which Aimee Bender called "a collection that marks its own territory and stamps it out with a textured beauty." Her work has appeared in Faultline, Hobart, Fivechapters, Unstuck, and other literary journals, and she has taught at UCLA Extension, the Art Institute of California, Los Angeles, and UC Irvine.

  • Gracie DeVito’s work challenges codified modes of art making and production; the output of the work shifts fluidly from painting, to sculpture, to found objects, to performance. Characters and motifs, manifested by DeVito herself or by the characters she creates, rotate through the 2D and 3D spaces of her pieces. 

  • Joint Venture

    Dec 10| Exhibition
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    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
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    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
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    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

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Codex Tro-Cortesianus

Codex Tro-Cortesianus
Location: Special Collections F 1435 C653

"The Mayan peoples developed a method of hieroglyphic notation and recorded mythology, history, and rituals in inscriptions carved and painted on stelae (stone slabs or pillars); on lintels and stairways; and on other monumental remains. Records were also painted in hieroglyphs and preserved in books of folded sheets of paper made from the fibers of the maguey plant.

Four examples of these codices have been preserved: the Codex Dresdensis, now in Dresden; the Perez Codex, now in Paris; and the Codex Tro and the Codex Cortesianus, both now in Madrid. The Codex Tro and Codex Cortesianus comprise parts of a single original document and are commonly known under the joint name Codex Tro-Cortesianus.

These books were used as divinatory almanacs containing topics such as agriculture, weather, disease, hunting, and astronomy.

One of the four preserved codices of Maya hieroglyphs, the Codex Tro dates from about the 14th century. These ornate pages from the Codex form part of a prophetic calendar that predicts good and bad days. The ancient Maya used paints made of natural pigments and paper made from the fibers of maguey plants to record religious information and historical events." - Foundation for the Advancement of Mesoamerican Studies

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