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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.


Astronomicum Caesareum

Astronomicum Caesareum, 1540
by Peter Apian (1495-1552) and Michael Ostendorfer (ca. 1490-1559)
Location: Special Collections Oversize QB41 A64 1540ab

We own the facsimile edition published in 1967.

"The Emperor's Astronomy" describes the mechanics of an earth-centered universe.

"This most sumptuous of all Renaissance instructive manuals explained the use of the astrolabe (for calculating the altitude of stars) and other instruments used for computing planetary positions. The author, court astronomer to Emperor Charles V, also provided new observations on the comet of 1531 (Halley's Comet). Only about forty copies of this work survive; very few still have the seed pearls that were originally attached to the string markers on each of the eighteen disks."
- Metropolitan Museum

The book contains many "volvelles," rotating paper wheels which demonstrate planetary motion and movements of the stars.

The original contains hand-colored woodcuts.

Astronomicum Caesareum - Cover


Astronomicum Caesareum - Title page

Title page

Astronomicum Caesareum - Page

Book opened

Astronomicum Caesareum - Page

Page with map of constellations

Astronomicum Caesareum - Page


Astronomicum Caesareum - Page


Astronomicum Caesareum - Page