Events
  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Welcome to the Haunted Boulevard. Join DJ Platinum (Grace Potter) and DJ Batsy (Jessi Hita) for a journey of the folklores, urban legends, and paranormal encounters from different cultures. 

     

    Listen online at KLMU.

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.

O-Tube

Aubrey Beardsley's Illustrations

Aubrey Beardsley's Illustrations to Le morte d'Arthur and Salomé

Location: NC 978.5 M34 B42
Location: Special Collections Oversize NC 1115 B395

Aubrey Beardsley's (1872 - 1898) career was short and brilliant. He became notorious for his illustrations in two "decadent" periodicals of the period, The Yellow Book and The Savoy.

In 1892 Aubrey Beardsley was introduced to the publisher J. M. Dent, who commissioned the young artist to produce illustrations and decorations for an edition of Thomas Malory's novel Le morte d'Arthur. Beardsley worked on the project during 1893 and 1894.

"The years 1893-94 were perhaps the most important in Beardsley's career. He was hard at work producing illustrations and covers for books and periodicals, including his first commission, J. M. Dent's edition of Malory's Morte d'Arthur (Beardsley had been introduced to the publisher in the summer of 1892). This massive work, issued first in 12 parts and later in volume form, contained over 300 different illustrations, chapter headings, and vignettes. Also in 1893 the artist formed an alliance with the person who was to catapult him to fame and prove his downfall - Oscar Wilde."
- Life of Aubrey Beardsley

Beardsley - The Yellow Book, volume 1

Cover of The Yellow Book, volume 1

Beardsley - Self-Portrait

Self-portrait, ca. 1892, pen and ink wash

Beardsley - Le morte d'Arthur

Illustration from Le morte d'Arthur

Beardsley - Salome

The Peacock Shirt, illustration from Salomé by Oscar Wilde which was banned

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