Events
  • Joint Venture

    Dec 10| Exhibition
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    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
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    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
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    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

  • Opening Reception

    Jan 28| Special Event
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    In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections. New York-based artist Anna Craycroft applies this technique both literally and metaphorically to the Ben Maltz Gallery for her exhibition Tuning the Room. Craycroft’s exhibition asks that we consider how the specific characteristics of an environment shape our experience within it, and how we become attuned in return.

  • Robin Coste Lewis won the National Book Award for Voyage of the Sable Venus. Her writing has appeared in The Massachusetts Review, Callaloo, The Harvard Gay & Lesbian Review, Transition: Women in Literary Arts, VIDA, Phantom Limb, and Lambda Literary Review. She has taught at Wheaton, Hunter, Hampshire, and the NYU Low-Residency MFA in Paris. Lewis is a fellow of Cave Canem and of the Los Angeles Institute for the Humanities, as well as a Provost’s Fellow in Poetry and Visual Studies at USC.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

O-Tube

Best of Flair

Location: Special Collections Oversize AC 2 F585 1996

Fifty years after it ceased publication, Flair is still one of the most talked-about magazines ever created. It is remembered for its innovative design and production quality, its superb coverage of the arts, and its discovery of many artists and writers well before they achieved fame and fortune.

Only 12 issues were published in the early 1950s. This book was published in 1999 to document this innovative magazine.

"One of Flair's distinctions is that each issue had a different die-cut hole and revealed a new surprise. March featured Spain, and revealed a "Guernica"-style tapestry. May's roses revealed a gorgeous portrait of a young woman. The July All Male Issue let us peek through binoculars at a woman on a beach. Even more daring, Flair's name was treated a new way each time, taking its cue from the issue's thematic content: sans serif type one month, hand-drawn the next, serif type the month after."
-Book Review by Tony Buchsbaum in Urban Desires, no. 3.1,  January 1997

Best of Flair book cover

Best of Flair book cover based on the February 1950 cover

Flair, June 1950 cover

Flair: June 1950, cover

Flair, May 1950 cover

Flair: May 1950, cover by Sylvia Braverman

Flair Annual 1953 dali spread

Flair Annual 1953: Salvador Dali's Mimicry in Nature

Otis College Ranked 6th in Nation by The Economist