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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Short History of the Artists' Books Collection at Otis

Artists' books are exceptionally varied and creative by their very nature. The complex medium employs the book, in any of its various guises (scroll, codex, fold-out or single sheet boxed, to name but a few forms of books) as an original work of art. They usually integrate the formal means of conception and production with aesthetic or thematic aspects. Artists' books are considered unique works of art in one-of-a-kind or small edition multiples. Some now are mass produced. The variety of its form makes the artist book difficult to define. The twentieth century witnessed particularly varied and creative experimentation with artists' books culminating with an expansion of the medium in the '60 and '70s. California became a center of production.

The collection of artists' books at Otis College of Art and Design began and grew significantly during this period due largely to the efforts of librarian Joan Hugo, a recognized expert in artists' books. The Otis Library's current collection is approximately 2,300 works. Among the holdings are books by important contemporary artists such as Ed Ruscha and Joseph Beuys as well as work by recent graduates of MFA programs in the book arts such as Sarah Bryant and Daniel Mellis.

The collection also includes books made by Otis students in the Laboratory Press, which was begun by Sheila de Bretteville, Chair of the Communication Design and Illustration Department at Otis/Parsons from 1980-1990. Susan King, Simon Toparovsky, Cynthia Marsh, and Katherine Ng, all important book artists, were among the faculty over the years. This is a unique collection of books, often produced in editions of 2 or 3, with particularly good examples of innovative structures, excellent typography, and interesting content.

The goal of the Otis Artists' Book Collection is not to create a comprehensive archive, but rather to provide a valuable teaching resource available to artists and students. Since the collection is available on only a limited basis, providing access to the books via an online image database is a continuing project, one that we hope will assist those with interest in researching our collection as well as the medium in general.

 

History of Artists' Books

Sue Maberry, Director of Otis Library
Cathy Chambers, Catalog Librarian
Heather Cleary, Visual Resources Librarian