Events
  • Margo Victor

    Sep 29| Lectures
    More

    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
    More

    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
    More

    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
    More

    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Benefits and Uses

Benefits to Students:

  • Assists learners in making connections among learning experiences (formal and informal learning, academic, co-curricular and extra-curricular learning).
  • Promotes development of reflective learning - “Reflection … challenges students to use critical thinking to examine presented information, question its validity, and draw conclusions based on the resulting ideas” (Intime: Integrating New Technologies Into the Methods of Education). This type of learning is developmental, self-directive, and lifelong.
  • Provides a history of development and growth to assist in planning future learning needs based on previous successes and failures.
  • Further addresses Information Literacy through protocols for obtaining permissions and documenting Internet sources.
  • Helps students gain knowledge about how they represent themselves on the web  through purposeful collection and presentation of information that conveys a web-savvy, deliberately constructed virtual identity.
  • Personal control of learning history (as compared to organizations controlling learner history) and manage various levels of access to their portfolios.
  • Expand students’ understanding of visual rhetoric.

Benefits to Faculty:

  • Encourages students to link artifacts to learning outcomes.
  • Allows faculty to better sequence and scaffold learning outcomes at different developmental stages.
  • Supports transferability of common learning outcomes by linking artifacts to other courses.
  • Can use Learning Portfolio assessment to improve teaching strategies.
  • Provides a vehicle for more authentic assessment over time as creates an assessment-trail that is centralized and under learner control.
  • Means to share content with other faculty.
  • Prepare student learners for life-long learning.

Benefits to Otis Community:

  • Provides a system to demonstrate college-wide learning outcomes.
  • Encourages collaboration among departments to articulate common learning outcomes and shared assessment goals.
  • Provides a way to synthesize the students’ academic experiences, strengthen curricular coherence, and provide a potential venue for the growing prominence of extra-curricular experiences.
  • Demonstrates applications and critical literacies for course or programmatic assessment.
  • Contributes to idea of education as lifelong learning - students are able to adapt their Learning Portfolios to various purposes and uses beyond their academic careers (with the potential of ongoing alumni relationships and longitudinal tracking).
Otis College Ranked 6th in Nation by The Economist