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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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FACULTY HOLLY TEMPO HAS SOLO SHOW @ 2A GALLERY

Nov 27, 2013
CARDBOARD REVIVAL
Spotlight Category: Exhibition

Faculty Holly Tempo will present Cardboard Revival, a site-specific installation at @ 2A Gallery.  A reception is scheduled for Sunday, December 15, 2013, 7-10 pm; with the show running through January 26.
 
Cardboard Revival represents a cadre of inharmonious interests. Sited in the upscale, developer-renovated San Fernando Building, which is located at the edge of Downtown LA’s skid row area, the space straddles the conflicting realities of urban life. On the one hand, the structure — now filled with chic loft apartments — is a testament to efforts to revitalize Downtown LA; on the other, homeless advocates see the project as having taken the area’s affordable housing stock away from the people who need it the most.
 
As an artist, Tempo is interested in creating hybridized spaces that engage social issues via the language of painting and abstraction. Borrowing decorative motifs from the San Fernando Building’s Renaissance Revival-style and tropes from the urban environs, such as graffiti and cardboard scraps, Tempo transforms 2A Gallery into a site-specific reflection on approaches to housing that share a neighborhood in spite of their ideological incompatibility. With house paint, markers and spray paint, Tempo works directly on the walls and combines the gilding and rich hues of 16th century Florence with a humbler palette dictated by life on the streets.

Cardboard Revival denotes a mash-up sensibility that attempts to reconcile a difficult situation within the realm of aesthetics. The exhibition title is a tongue-in-cheek allusion to the sometimes-flimsy success of efforts to invigorate or improve the quality of life in communities. The cardboard is, of course, also a sobering reference to the material often used by homeless people to create shelter.
 

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