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  • Angie Bray: Shhhh

    Jan 17| Exhibition
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    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
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    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Closing reception for exhibition Angie Bray: Shhhh

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Academic Excellence: Wendy Silva

INFORMATION/TIPS TO SHARE WITH FUTURE STUDENTS?
Do it all! There is so much to learn and explore. Take advantage of every course you take. I regret not taking more classes
but I ended up taking 18 units almost every semester. It is ok to be different, because that is what sets you apart as an artist.

 

Hometown?
Los Angeles

 

Why Otis?
It always seemed to be the school I was headed towards. I was accepted into the Ryman Arts Program in high school. My art teacher encouraged me to go to art school, and said that Otis was one of the top local schools. I also won a Gold and Silver Key from the Scholastic Art and Writing Awards, and the Award Ceremony was held at Otis. After high school, I helped my parents out with rent by working and going to school part-time at Santa Monica College, where I took my first painting course with (Otis faculty member) Nathan Ota, who is an amazing teacher and mentor. I also had the privilege of meeting Bob Dob, and found out that he studied
with Nathan at Otis.
 

Your thesis project?
We completed both a thesis project and a paper. Writing my thesis paper helped me understand my work better. I examined culture, tradition, and the idea of becoming a figure for future generations to look up to, as my grandmother was for me.
 

Interesting things that you did outside of school?
I worked on side projects, creating small handmade objects.
 

Most influential class?
Christine Fredrichs’ “Extended Painting Techniques” sparked my infatuation with different mediums and techniques.
 

Most influential faculty member?
Chris Wilder was a great mentor who made me question my ideas and use different perspectives, and try new things.
 

Favorite place in L.A.?
Culver City born and raised, but currently living in Torrance.
 

Impact on your work/life?
At times it was overwhelming. The workload was fair, but I tend to be very detail-oriented and meticulous. It was inspiring to share a studio space with two other artists. I was usually the first to arrive and the last to leave.
 

What’s next?
Getting a studio space, where I have the freedom to experiment. I’m currently an artist assistant and I’m really enjoying the creative atmosphere.
 

Something unusual/idiosyncratic?
I can work on paintings for hours, and feel like I spent ten minutes. And I will never walk away from a work that I feel is unfinished.