Events
  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

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Andy Warhol Foundation Supports Doin It In Public Exhibition and Publications

Please contact Margaret Reeve (310) 665 6957 for inquiries.

LOS ANGELES – July 30, 2010 – The Andy Warhol Foundation has awarded a $50,000 grant to Otis College of Art and Design in support of the publication "From Site to Vision" and the exhibition “Doin it in Public: Feminism and Art at the Woman’s Building.” The ebook "From Site to Vision: The Woman’s Building in Contemporary Culture" documents the history and legacy of the Woman’s Building, a public center for women’s culture that was a powerful symbol of the feminist art movement in Los Angeles and around the world. The exhibition, supported by The Getty Foundation, is part of the larger initiative “Pacific Standard Time: Art in L.A. 1945-1980” which, through an unprecedented series of concurrent exhibitions throughout Southern California, highlights the significance of art in Los Angeles in the post-World War II decades.

Founded in 1973 by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville, and art historian Arlene Raven, the Woman’s Building pioneered new models of feminist education, advanced new processes for building community, and posited a feminist art that “raises consciousness, invites dialogue, and transforms culture.” From 1973 to 1991 the Woman’s Building housed and supported the creation of highly original works in performance, graphics, literature, video and visual arts, and presented some of the leading women artists of the time, such as muralist Judy Baca, artist Betye Saar, performance artist Suzanne Lacy, comedian and actor Lily Tomlin, and authors Kate Millett and Alice Walker.

A prestigious team of scholars have contributed essays to the “Doin’ It in Public” publications, and provided curatorial advice. They include Vivien Fryd, professor of art history, Vanderbilt University; Alexandra Juhasz, professor in media studies, Claremont Graduate University; Jennie Klein, assistant professor of art history, Ohio University; Michelle Moravec, assistant professor of history, Rosemont College; Jennifer Sorkin, curatorial associate, Yale Center for British Art, Yale University. “From Site to Vision: The Woman’s Building in Contemporary Culture,” edited by Sondra Hale and Terry Wolverton, offers a profound and critical examination of the Woman’s Building during the eighteen years (1973-1991) when it was the vital core of Los Angeles feminist art, culture and political activism. Written by many of the artists, writers, and critics who participated in the Woman’s Building, the essays clearly and lucidly recount the struggles, sacrifices and controversies as well as the breakthroughs and successes from the visionary hopes of Sheila de Bretteville for the future of feminist contributions to the groundbreaking performance art of Suzanne Lacy to specific concerns of race, gender, sexuality, ethnicity, and education.

“The Warhol Foundation's focus is to support contemporary visual art, particularly work that is experimental and under-recognized,” said Warhol Foundation President Joel Wachs. “Since the Woman's Building was a major force in the feminist art movement and the L.A. art scene that is unfamiliar to many, we are very pleased to be supporting the exhibition and catalog. The public will now have a unique opportunity to appreciate the Woman’s Building artists and their work.”

Additional information on “Doin’ It In Public: Feminism and Art at the Woman’s Building” is available by calling (310) 665-6905 or at archive.otis.edu/public_programs/ben_maltz_gallery or www.womansbuilding.org/. Detailed information on “Pacific Standard Time: Art in L.A. 1945- 1980” can be found at www.getty.edu/foundation


Media inquiries, please contact Sheri Mobley

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
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