Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

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Concentric Conversations Series

Please contact Alexandra Pollyea (310) 665 6857 for inquiries.

OTIS Graduate Public Practice Program Presents Concentric Conversations, Voice: Critical Pedagogy and Public Practice, February 25-27, 2011

 

LOS ANGELES – February 2011 – Otis College of Art and Design Graduate Public Practice Program welcomes educational theorist Christopher Robbins as the keynote presenter for Voice: Critical Pedagogy and Public Practice, the latest offering in the Concentric Conversations dialogic event series. Robbins will facilitate discussions between artists and educators during a weekend focused on the philosophical underpinnings of critical pedagogy in relationship to public practice in art. Guided by the writings of critical pedagogy scholar Henry Giroux and other educational theorists and activists, the weekend’s conversations, case studies by artists, and public presentations will explore the common pedagogical ground between art and education. Voice is free and open to the public.

Participating artists and educators in this Friday, February 25 through Sunday, February 27 event include Otis faculty members S.A. Bachman, Krista Caballero, and Malik Gaines; Karla Diaz of Slanguage; Sean Dockray and Caleb Waldorf of Public School; Ken Ehrlich, Ashley Hunt, and Unique Holland of the Alameda County Department of Education; Chris Johnson and Dont Rhine of Ultra-red; and Otis MFA students speaking on their project Dismantled.

Christopher Robbins is Associate Professor of Social Foundations at Eastern Michigan University. His research interests include critical and public pedagogy, the interrelationships of social and educational policy, racism and racial inequality, and the impacts of criminalization and militarization on schools and public culture. He is the author of Expelling Hope: The Assault on Youth and the Militarization of Schooling (SUNY, 2008).

Organized by Suzanne Lacy and Sara Daleiden of Otis College of Art and Design Graduate Public Practice Program, the Concentric Conversations series encourages discourse among Los Angeles cultural practitioners. The Graduate Public Practice Program is the only educational curriculum in the Southern California region dedicated exclusively to providing artists with advanced skills for working in the public sphere, focusing both on collaborative and individual art production.

For further information about the Graduate Program contact:
Otis Graduate Public Practice Program
1657 18th Street
Santa Monica, CA 90404
(310) 846-2610
publicpractice@otis.edu
www.otis.edu/gpp

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist