Events
  • Public-Library is a cross-disciplinary design studio in Los Angeles. They construct identities, concepts and experiences for brands through the practice of reduction using fundamental typographic theory and experimentation with space and form.

    Ramón Coronado and Marshall Rake met as design students at Art Center College of Design in Pasadena. After studying, working, and exhibiting independently for many years—both stateside and internationally—their design philosophy and approach brought them back together as Public-Library in 2011.

  • Sandra Lim

    Mar 29| Lectures
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    Sandra Lim is the author of two collections of poetry, Loveliest Grotesque and The Wilderness, winner of the 2013 Barnard Women Poets Prize, selected by Louise Glück. Her work is also included in the anthologies Gurlesque, The Racial Imaginary, and Among Margins: An Anthology on Aesthetics. She has received fellowships from the MacDowell Colony, the Vermont Studio Center, and the Getty Research Institute.

  • Intern Recruitment Day

    Mar 30| Special Event
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    Continental breakfast will be from 8:00 – 8:45, interviews will take place from 9:00 am – 12:00 pm. Otis welcomes companies that are recruiting for Summer internships in the following areas: Architecture/Landscape/Interiors, Digital Media, Communications Arts, Fashion Design, Fine Arts, Product Design, Toy Design.
  • A quintessentially Los Angeles artist, Larry Johnson has worked for over 4 decades investigating the inherent contradictions between the shiny surfaces and underlying cynical logics of American culture. His works reference the languages of animation (especially the fantasy worlds of Walt Disney), graphic and commercial design, and advertising.

  • A limited number of tickets are available to FUN HOME, an emotionally charged and poignant family drama, inspired by the graphic novel of the same name by Alison Bechdel, in which she explores her coming out and the suicide of her domineering father Bruce. Sign up in the Office of Student Activities located in the Student Life Center Room 150E.

  • Edgar Arceneaux was born in Los Angeles in 1972. He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.

O-Tube

Creativity is Serious Business in the State of California

Please contact John Axtell for inquiries and photos 310-665-6857 jaxtell@otis.edu

The 2013 Otis Report on the Creative Economy asserts the importance of artistic services and intellectual capital in the 21st Century.
Otis Report on the Creative Economy

LOS ANGELES, CA, February 6, 2014 – The results of the 2013 Otis Report on the Creative Economy were unveiled today at an event produced by Otis College of Art and Design, held at the Broad Stage in Santa Monica, CA. Speakers included California State Senator Ted Lieu (Chair of the Joint Committee of the Arts, and Chair of the Business, Professions and Economic Development Committee); Los Angeles County Economic Development Corporation’s Chief Economist Robert Kleinhenz; Director, Western Region of the Actors Fund Keith McNutt; Otis President Samuel Hoi, California Arts Council Director Craig Watson; and Executive Director of Arts for L.A. Danielle Brazell

Otis has commissioned this annual report from the Los Angeles County Economic Development Corporation since 2007, underscoring its commitment to measuring, benchmarking, and assessing trends of the creative economy. The Otis Report was expanded this year to include data for the entire state.

Significant findings in the 2013 Otis Report on the Creative Economy include:

  • In the Los Angeles region, the creative sectors supported 1 in 7 wage and salary jobs, with a net economic output contribution of 10.4% of the region’s gross total.
  • The Los Angeles regional creative industries sustained 726,300 workers who earned labor income of $50.6 billion.
  • California’s creative economy contributed 7.8% of the gross state product in 2012. Across the state, with a total of 1.4 million workers, the creative industries accounted for directly or indirectly 9.7% of all wage and salary employment, or roughly 1 in 10 jobs.
  • Entertainment, fashion, and furniture and the decorative arts were the largest industries in California’s creative economy but nearly 6 of 10 (56%) creative occupations are found outside of the creative industries
  • The Los Angeles region is undisputedly the creative nexus of the state, with over 44% of California’s workers engaged in creative occupations.
  • By 2017, creative economy employment will be up by 3.1% or 12,600 jobs from 2012 levels. Creative industry employment in the Los Angeles-Orange County region will total 416,500 wage and salary jobs by 2017.

 

“The Otis Report has firmly established that the ‘creative economy’ is a powerful force, both in Southern California and in the state,” said Otis President Samuel Hoi. “Signals abound that creativity and innovation are pivotal to the economy and general well-being of people and communities. Artistic services and intellectual capital are inarguably essential to the 21st century economy, which is dynamic, knowledge-based, and increasingly global.”

Los Angeles County Economic Development Corporation’s Chief Economist Robert Kleinhenz stated, “The health of the state economy depends on continued progress in the U.S. economy and among its major trading partners. Improvements in the consumer sector will be front and center in both California and the nation, as households respond to declining unemployment, increases in income, stronger real estate markets, and stock market gains.”

An addendum to this year’s Otis Report is “L.A. Creates,” a special report by Director, Western Region of the Actors Fund Keith McNutt, detailing the way in which deliberate, collaborative, and regional efforts can support and develop the region’s creative industries.

Lead sponsors for this year’s event are the California Arts Council and Mattel. Other support came from the James Irvine Foundation, Nike, Sony Pictures, City National Bank, The Boeing Company, Ovation, and the City of Los Angeles Department of Cultural Affairs.

On Wednesday, February 12th in Sacramento, CA, the 2013 Otis Report on the Creative Economy will be presented at an informational hearing of the Joint Committee on the Arts. Senator Ted Lieu will convene the hearing in the state’s capitol to examine the role the creative sector plays in the state’s economy. The hearing starts at 10AM and is open to the public.

The full 2013 Otis Report on the Creative Economy is available at http://www.otis.edu/econreport.

ABOUT CALIFORNIA ARTS COUNCIL
The mission of the California Arts Council, a state agency, is to advance California through the Arts and Creativity. Members of the California Arts Council include: Chair Wylie Aitken, Vice Chair Susan Steinhauser, Michael Alexander, Christopher Coppola, Andrew Green, Charmaine Jefferson, Terry Lenihan, William Turner, and Rosalind Wyman. Learn more at www.arts.ca.gov

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ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist