Events
  • Bring family and friends to reconnect with fellow alumni at the studio of Albert Valdez ('10) following Brewery ArtWalk, an open studio weekend with over 100 participating resident artists.

    Parking is located inside the Brewery campus.  

    Visit www.breweryartwalk.com for directions and other information. 

  • Otis Radio: Our Story`

    May 01| Special Event
    More

    Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Our Story. Join DJ Wormlord (Maggie Gilbert), DJ Ace (Grace Kanchana), and DJ Mango (Stacy Li) as we have real talk in real time. Don't miss out!

     

    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Commons and archived on otisradio.tumblr.com

  • Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 5:00 - 6:00 pm is The Girls Room with DJ Lonesome (Jaclyn Arellano), DJ Filth (Mady Preece), DJ Duchamp’s Urinal (Carly Goldstein). In this political climate, it is finally time to take charge of our own bodies and image. No more housewife norms to determine what a woman should look like. Join us in conversation with the tools of music and noise to express what it means to be a woman. We will challenge the definitions and misconceptions about masculinity and femininity, creating a space where women can feel free to ask questions and get answers from other women.

    Listen: http://edg-ord-kxlu.streamguys1.com/klmu

  • Zeal Harris is known for contemporary, seductive, colorful, caricaturesque, political, urban-vernacular, story paintings. She is a Los Angeles based visual artist and has been in exhibitions in Port Au Prince at Haiti’s Ghetto Biennale; in New York at the Caribbean Culture Center of the African Diaspora; in Arizona at The Mesa Contemporary Arts Museum; and in Los Angeles at the California African-American Museum, The Makeshift Museum, 18th Street Arts Center, Launch LA, and EXSLA at The Brewery.  Zeal has an MFA in Studio Art from Otis College of Art & Design. She occasionally teaches, works on public art projects, and works with community arts organizations.

  • Jocelyn Casas presents a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view May 1st - 7th, 2017. There will be a closing reception on Thursday, May 4, 6-9pm.

  • Each year, the Benefit black-tie gala features Los Angeles' largest fashion runway show with more than 70 professional models in 125-plus fashion designs for women, men, and juniors. Approximately 800 guests— a creative crowd of leaders in fashion and entertainment— get a glimpse of the future of fashion design from those who invent it, Otis College fashion students.

  • Patterns Bigger Than Any of Us
    Jesse Fleming / Pat O
    'Neill

    A two-person exhibition of recent large-scale video installations from Los Angeles-based artists Jesse Fleming and Pat O’Neill. Each artist raises questions in his work about the self in relation to others, collective norms, and the built environment. They direct us to see the links and fissures in our lives and the larger systems that we attempt to grapple with—from science to spirituality, and the spaces they straddle.

O-Tube

Four Otis Alumni in Whitney Biennial

OTIS ALUMNI SELECTED FOR 2008 WHITNEY BIENNIAL Patrick Hill, Rubén Ochoa, Eduardo Sarabia and Mario Ybarra to participate in major survey

LOS ANGELES, CA (January 12, 2008) - Four alumni of Otis College of Art and Design - Patrick Hill ('00, MFA), Rubén Ochoa ('97, BFA) Eduardo Sarabia ('99, BFA), and Mario Ybarra ('99, BFA) - have been selected for the 2008 Whitney Museum Biennial. From March 6 through June 1, this exhibition of 81 artists is the most important survey of the state of contemporary art in the U.S.


Mario Ybarra draws attention to forms of culture that exist in the margins of the mainstream, examining hidden cultural histories and alluding to or parodying the street culture of the West Coast. His references range from the activities of inmates at Pelican Bay State Prison to a social exploration of the expanding numbers of barbershops across the African-American community. When pegged as a Chicano artist, Ybarra demurs. “I make contemporary art that is filtered through a Mexican-American experience in Los Angeles. It’s not my goal to learn Nahuatl but to speak Cantonese.”


In 2000, after receiving his MFA, Patrick Hill was working to pay the rent, setting up a studio, and surfing. Driving home on the freeway one day, he blacked out and awoke in a hospital, disoriented. The diagnosis: brain tumor. After undergoing invasive brain surgery, and enduring more than a year of intensive chemotherapy, he started over. His work began to take on the immaterial and formless, as well as issues of ghostly shadows, reflection and translucency.  Using materials such as ink, dye, and bleach along with blackberries and blueberries, he creates paintings that seem to release primordial forms and energy. He searches for “the littoral between here and nowhere.” (Bruce Hainley, Artforum)


San Diego native Rubén Ochoa is no stranger to borders and the controversies that surround them. He transformed the tan 1985 van his parents used for their tortilla business into “Class: C,” a nomadic art gallery. Challenging traditional exhibition methods, he brought struggling artists' work to the masses, literally removing art world barriers. More recently, “Class: C’s Vancade, “a 2-D video game inspired by the artist’s van, allows players to sell tortillas and fund art exhibits as they navigate L.A.’s streets. Ochoa’s work was included in the recent 2004 Orange County Museum of Biennial among many other exhibitions.


Eduardo Sarabia smuggles ideas into culture. Highly influenced by the intricate poetics of the black market and northern Mexican folklore, he creates romantic visual narratives that conflate illegal contraband, fine arts and commerce. He hires Mexican craftspeople in Guadalajara to fabricate his work, and smuggles it across the border. The newest entry into his product line is Tequila Sarabia, a line of three kinds of tequila in hand-blown glass bottles with a Guadalajara ceramic stopper. His white Talavera pottery vases, packaged in their own silkscreened box, are decorated with images of cash, parrots, marijuana leaves, prostitutes and other contraband.


Donna De Salvo, the Whitney’s Chief Curator and Associate Director for Programs, comments about the upcoming Biennial, "In dealing with the art of the present, there are no easy assessments, only multiple points of entry." President Samuel Hoi concurs, adding that “The social and cultural insights of these four Otis alumni demonstrate their ability to successfully compete in a global environment increasingly built on innovation and creative thinking. Since its establishment in 1918 as Los Angeles’ first independent professional school of art and design, Otis has trained generations of artists who have been in the vanguard of the cultural and entrepreneurial life of the city. Nurtured by Los Angeles’ forward-thinking spirit, the College has produced artists who explore the landscape of popular culture and the significant impact of identity, politics and social policy at the intersection of art and society.”


Otis alumni painters were also well represented in Los Angeles Times art critic Christopher Knight's Sunday, December 2nd piece "45 Painters under 45: Painting gets a Broader Brush." Knight asserts that painting is alive and well in L.A., and features Timothy Tompkins (’03, BFA) and Steve Roden (’86, BFA), along with Kevin Appel (’89, BFA), Michael Brunswick (‘05, MFA), Gajin Fujita (’97, BFA), Sandeep Mukherjee (’96, BFA), and Chad Robertson (’91, BFA).

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist