Events
  • Joint Venture

    Dec 10| Exhibition
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    Joint Venture is a group exhibition of collaborative projects by artists from ECF’s Inglewood Art Center and students from Otis College's Creative Action class, Uniquely Abled, taught by Michele Jaquis and mentored by Marlena Donohue.

     

    December 8, 2016 - January 6, 2017

    Gallery Hours M - F 11am - 3:30pm

     

  • LA Portfolio Day

    Jan 15| Special Event
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    Otis College of Art and Design is pleased to host the Los Angeles Portfolio Day on January 15, 2017 from 12-4pm!

    Bring your portfolio for an informal review by representatives from art and design schools, and learn about their programs of study. Portfolio Day events are held across the country, high school students, parents, teachers, guidance counselors and college transfer students are encouraged to attend.

  • James Hannaham

    Jan 25| Lectures
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    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

  • Tuning the Room

    Jan 28| Exhibition
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    Anna Craycroft: Tuning the Room

    January 28 - April 16, 2017

    Ben Maltz Gallery

  • Opening Reception

    Jan 28| Special Event
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    In acoustical engineering, “tuning the room” is a technique for measuring the specific sound properties of an enclosed space and then adapting the environment to improve its acoustic reflections. New York-based artist Anna Craycroft applies this technique both literally and metaphorically to the Ben Maltz Gallery for her exhibition Tuning the Room. Craycroft’s exhibition asks that we consider how the specific characteristics of an environment shape our experience within it, and how we become attuned in return.

  • Robin Coste Lewis won the National Book Award for Voyage of the Sable Venus. Her writing has appeared in The Massachusetts Review, Callaloo, The Harvard Gay & Lesbian Review, Transition: Women in Literary Arts, VIDA, Phantom Limb, and Lambda Literary Review. She has taught at Wheaton, Hunter, Hampshire, and the NYU Low-Residency MFA in Paris. Lewis is a fellow of Cave Canem and of the Los Angeles Institute for the Humanities, as well as a Provost’s Fellow in Poetry and Visual Studies at USC.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

O-Tube

Los Angeles Art Luminaries Take the Tate Modern, the Hammer Museum, and the Streets of L.A.

FOR IMMEDIATE RELEASE
Please contact John Axtell for inquiries and photos:
310-665-6857 / jaxtell@otis.edu
 

Public Art from Meg Cranston and Roy Dowell commandeers billboards for the Hammer Museum’s Made in L.A. 2012; Suzanne Lacy’s Crystal Quilt at London’s Tate Modern.

LOS ANGELES, CA, July 31, 2012 - Work by three distinguished artists from Otis College of Art and Design can be viewed currently at the Tate Modern Gallery, Hammer Museum, and on billboards above the streets of Los Angeles.

Meg Cranston (Chair, Fine Arts) and Roy Dowell (Chair, Graduate Fine Arts) were selected to participate in the Hammer Museum’s first large-scale biennial survey of the work of sixty Los Angeles-based artists, Made in L.A. 2012. In addition to the exhibition, on view at the Hammer Museum through September 2, both artists were invited to produce public art billboards on a well-trafficked Los Angeles street.

Roy Dowell's billboard, on display during July on the east side of La Cienega Blvd between Venice and Washington Blvds, is produced by LA><ART Public Art Initiatives and ForYourArt - Los Angeles Public Domain (LAPD). Roy’s collages are inspired by design, advertising, and popular and world cultures. Although he uses abstract elements, Dowell draws from the representational and specific. The billboard recycles scraps of old billboards, combining the languages of public art and large-scale advertising, while connecting the sources and visual elements to his thirteen sculptures on display at the Hammer.

In August, Meg Cranston will create a billboard displayed at the same location. “For my first billboard,” she explains, “I did a version of my work in Made in L.A. 2012 at the Hammer. To have the image (of multiple cigarettes lighters) in two places makes it like an ad campaign. The question is what am I advertising? I suppose “real” advertisements work in a similar way. What is pictured is often only metaphorically related to the product being sold. Puppies can be used to sell toilet paper or an image of a beautiful woman to sell snow tires. To me the lighters have poetic resonance but I will let the audience decide.”

LA><ART’s contribution to Made in L.A. is “This is a Takeover! A Ten-Year Survey of Slanguage.” Slanguage, the internationally renowned artists’ collective co-founded by Otis alumnus Mario Ybarra, Jr., produced an interactive installation along with public events and performances that take place through September. Heralded by the L.A. Times as a “rare institution that successfully straddles the community and mainstream art worlds,” Slanguage focuses on art education, community-building, and interactive exhibitions to cultivate relationships between diverse artists, students, communities, and organizations.

The Crystal Quilt, by pioneering activist and artist Suzanne Lacy (Chair, Graduate Public Practice), has been recreated for London’s Tate Modern, July 18-October 28, for the inaugural exhibition of 'The Tanks' at the Tate Modern, designed by Swiss architectural duo Herzog & de Meuron. The new space, a series of recycled underground concrete oil tanks, opened to the public as part of the current London 2012 Festival in conjunction with the Cultural Olympiad.

The original Crystal Quilt (1987) took place in Minneapolis where Lacy gathered 430 women over the age of 60 to share their views on growing older. The resulting performances, broadcast live on television, were attended by more than 3,000 people. The Crystal Quilt at Tate Modern combines the original elements of performance, activism, and broadcast in an ambitious work fusing social responsibility with the power of aesthetics. Lacy plans to update this groundbreaking piece with ‘granny flash mobs,’ a performance piece that celebrates the achievements of older women in Britain.

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
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