Events
  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

  • Emily Raboteau’s nonfiction work Searching for Zion was named a best book of 2013 by the Huffington Post and the San Francisco Chronicle, and was a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and a winner of a 2014 American Book Award. She is the author of a novel, The Professor’s Daughter, and her fiction and essays have been published and anthologized in Best American Short Stories, the New York Times, The New Yorker, Tin House, Buzzfeed, LitHub, The Guardian, Guernica, Virginia Quarterly, The Believer, and Salon. Other honors include a Pushcart Prize, the Chicago Tribune’s Nelson Algren Award, and fellowships from the NEA, the Lannan Foundation, and the MacDowell Colony. Raboteau teaches creative writing at City College in New York.

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Luce Foundation Supports Doin' It In Public

Please contact Alexandra Pollyea for inquiries 310-665-6857 apollyea@otis.edu

LOS ANGELES – February 7, 2011 – The Henry Luce Foundation has awarded a $50,000 grant to Otis College of Art and Design to support “Doin’ It In Public: Feminism and Art at the Woman’s Building,” a scholarly catalog that accompanies the exhibition of the same name. This first-time grant from the Henry Luce Foundation enables Otis to provide an important and timely publication that significantly contributes to American contemporary feminist art, scholarship and theory. Along with “From Site to Vision: the Los Angeles Woman’s Building in Contemporary Culture” – the first volume of this two volume publication set – “Doin’ It In Public” furthers the academic discourse about feminism, feminist art, and contemporary art. Both serve as long-lasting, valuable resources to art historians, women, and gender studies scholars, historians, media theorists, collectors, artists, and students of these key subjects.

The exhibition “Doin’ It In Public” opens at Otis' Ben Maltz Gallery on October 1, 2011 and will be on view through January 28, 2012 as part of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty. The presenting sponsor is Bank of America. Pacific Standard Time is an unprecedented collaboration of more than sixty cultural institutions across Southern California, coming together to tell the story of the birth of the L.A. art scene. Initiated through grants from the Getty Foundation, Pacific Standard Time will take place for six months beginning October 2011. “Doin’ It In Public” is also supported by The Getty Foundation, The Andy Warhol Foundation for the Visual Arts, and the Barbara Lee Family Foundation.

The “Doin’ It In Public” exhibition and publications represent the first endeavor to contextualize the Woman’s Building’s (WB) groundbreaking history, and highlight its present-day impact in a way that continues to educate, inspire, and foster change relating to political, economic, and ideological power relations of contemporary society. The “Doin’ It In Public” catalog explores the Woman’s Building in a context of scholarship and theory through critical essays by a new generation of feminist scholars that emerged after the WB. It features a new study begun in 2008 from a research and planning grant funded by The Getty Foundation. The Otis Project Directors and Editors for “Doin’ It In Public” are Meg Linton, Director of Galleries and Exhibitions, Ben Maltz Gallery, and Sue Maberry, Director of Library and Information Technology at Otis and former Project Director at the Woman’s Building. Essays were contributed by: Vivien Fryd, Professor of Art History, Vanderbilt University, TN; Alexandra Juhasz, Professor in Media Studies, Claremont Graduate University, CA; Jennie Klein, Assistant Professor of Art History, Ohio University; Michelle Moravec, Assistant Professor of History, Rosemont College, PA; and Jennifer Sorkin, Post-Doctoral Pacific Standard Time Fellow, Getty Research Institute; and Cheri Gaulke, artist.

Former WB artists as well as Otis faculty members who advised on the project include Suzanne Lacy, FSW Faculty member and Director of Otis’ Graduate Public Practice program; Jerri Allyn; Terry Wolverton; Nancy Angelo; and Sondra Hale.

Founded in 1973 by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville, and art historian Arlene Raven, the Woman’s Building pioneered new models of feminist education, advanced new processes for building community, and posited a feminist art that “raises consciousness, invites dialogue, and transforms culture.” From 1973 to 1991 the WB housed and supported the creation of highly original works in performance, graphics, literature, video and visual arts, and presented some of the leading women artists of the time, such as muralist Judy Baca, artist Betye Saar, performance artist Suzanne Lacy, comedian and actor Lily Tomlin, and authors Kate Millett and Alice Walker.

About The Henry Luce Foundation
The Henry Luce Foundation was established in 1936 by Henry R. Luce, the co-founder and editor-in-chief of Time Inc. The Luce Foundation supports projects in American art, higher education, Asian affairs, theology, women in science and engineering, and public policy and the environment. Through the Program in American Art, begun in 1982, the Foundation has distributed over $130 million to some 250 museums, universities, and service organizations in 47 states, the District of Columbia and internationally. For more information, please visit www.hluce.org.


Additional information on “Doin It In Public: Feminism and Art at the Woman’s Building” is available by calling 310-665-6905, galleryinfo@otis.edu, or at www.otis.edu/public_programs/ben_maltz_gallery, or www.womansbuilding.org/. Detailed information on “Pacific Standard Time: Art in L.A. 1945- 1980” can be found at www.getty.edu/foundation.


 

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Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
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