Events
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    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • Renee Gladman

    Oct 19| Lectures
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    Renee Gladman is the author of eight books of prose and poetry, including the Ravicka triology, published by Dorothy (Event Factory, The Ravickians, and Ana Patova Crosses a Bridge). Other titles include Arlem, Not Right Now, Juice The Activist, A Picture Feeling, and Newcomer Can't Swim. Since 2004, she has been the publisher of Leon Works, a perfect bound series of books of experimental prose, and also has edited the Leroy chapbook series.

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Luce Foundation Supports Doin' It In Public

Please contact Alexandra Pollyea for inquiries 310-665-6857 apollyea@otis.edu

LOS ANGELES – February 7, 2011 – The Henry Luce Foundation has awarded a $50,000 grant to Otis College of Art and Design to support “Doin’ It In Public: Feminism and Art at the Woman’s Building,” a scholarly catalog that accompanies the exhibition of the same name. This first-time grant from the Henry Luce Foundation enables Otis to provide an important and timely publication that significantly contributes to American contemporary feminist art, scholarship and theory. Along with “From Site to Vision: the Los Angeles Woman’s Building in Contemporary Culture” – the first volume of this two volume publication set – “Doin’ It In Public” furthers the academic discourse about feminism, feminist art, and contemporary art. Both serve as long-lasting, valuable resources to art historians, women, and gender studies scholars, historians, media theorists, collectors, artists, and students of these key subjects.

The exhibition “Doin’ It In Public” opens at Otis' Ben Maltz Gallery on October 1, 2011 and will be on view through January 28, 2012 as part of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty. The presenting sponsor is Bank of America. Pacific Standard Time is an unprecedented collaboration of more than sixty cultural institutions across Southern California, coming together to tell the story of the birth of the L.A. art scene. Initiated through grants from the Getty Foundation, Pacific Standard Time will take place for six months beginning October 2011. “Doin’ It In Public” is also supported by The Getty Foundation, The Andy Warhol Foundation for the Visual Arts, and the Barbara Lee Family Foundation.

The “Doin’ It In Public” exhibition and publications represent the first endeavor to contextualize the Woman’s Building’s (WB) groundbreaking history, and highlight its present-day impact in a way that continues to educate, inspire, and foster change relating to political, economic, and ideological power relations of contemporary society. The “Doin’ It In Public” catalog explores the Woman’s Building in a context of scholarship and theory through critical essays by a new generation of feminist scholars that emerged after the WB. It features a new study begun in 2008 from a research and planning grant funded by The Getty Foundation. The Otis Project Directors and Editors for “Doin’ It In Public” are Meg Linton, Director of Galleries and Exhibitions, Ben Maltz Gallery, and Sue Maberry, Director of Library and Information Technology at Otis and former Project Director at the Woman’s Building. Essays were contributed by: Vivien Fryd, Professor of Art History, Vanderbilt University, TN; Alexandra Juhasz, Professor in Media Studies, Claremont Graduate University, CA; Jennie Klein, Assistant Professor of Art History, Ohio University; Michelle Moravec, Assistant Professor of History, Rosemont College, PA; and Jennifer Sorkin, Post-Doctoral Pacific Standard Time Fellow, Getty Research Institute; and Cheri Gaulke, artist.

Former WB artists as well as Otis faculty members who advised on the project include Suzanne Lacy, FSW Faculty member and Director of Otis’ Graduate Public Practice program; Jerri Allyn; Terry Wolverton; Nancy Angelo; and Sondra Hale.

Founded in 1973 by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville, and art historian Arlene Raven, the Woman’s Building pioneered new models of feminist education, advanced new processes for building community, and posited a feminist art that “raises consciousness, invites dialogue, and transforms culture.” From 1973 to 1991 the WB housed and supported the creation of highly original works in performance, graphics, literature, video and visual arts, and presented some of the leading women artists of the time, such as muralist Judy Baca, artist Betye Saar, performance artist Suzanne Lacy, comedian and actor Lily Tomlin, and authors Kate Millett and Alice Walker.

About The Henry Luce Foundation
The Henry Luce Foundation was established in 1936 by Henry R. Luce, the co-founder and editor-in-chief of Time Inc. The Luce Foundation supports projects in American art, higher education, Asian affairs, theology, women in science and engineering, and public policy and the environment. Through the Program in American Art, begun in 1982, the Foundation has distributed over $130 million to some 250 museums, universities, and service organizations in 47 states, the District of Columbia and internationally. For more information, please visit www.hluce.org.


Additional information on “Doin It In Public: Feminism and Art at the Woman’s Building” is available by calling 310-665-6905, galleryinfo@otis.edu, or at www.otis.edu/public_programs/ben_maltz_gallery, or www.womansbuilding.org/. Detailed information on “Pacific Standard Time: Art in L.A. 1945- 1980” can be found at www.getty.edu/foundation.


 

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Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
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