Events
  • Otis College alumni in the New York/Tri-State area are invited to a reception welcoming visiting Otis College fashion students at Global Brands Group headquarters in the Empire State Building. Join fellow alumni to celebrate the culmination of the Fashion Design Department's annual trip to Manhattan. This special event - open to all alumni from both undergraduate and graduate departments - is a great chance to reconnect with friends, welcome new Fashion Design alumni from the Class of 2017, and meet Otis College leaders including Fashion Design Interim Chair Jill Higashi-Zeleznik.

  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

O-Tube

Massive Online Open Course Reinterprets Contemporary Art

FOR IMMEDIATE RELEASE

Please contact John Axtell for inquiries and photos 310-665-6857 jaxtell@otis.edu

MOOC developed by Otis College of Art and Design examines key issues surrounding the making, viewing, and interpretation of modern art
Parme-Giuntini-Otis-College
Dr. Parme Giuntini, Otis College

Los Angeles, CA (PRWEB) May 15, 2013

Otis College of Art and Design will offer its first massive online open course (MOOC) in Art History, entitled "The Modern Genius: Art and Culture in the 19th Century," starting June 17, 2013.

"The Modern Genius" focuses on key issues surrounding the making, viewing, and interpretation of art in the late 19th century, when radical artists subverted tradition and permanently changed not only visual culture but society itself. Beyond style, technique, and fine art, the course will engage participants in the critical issues of modernity from Realism through Post-Impressionism, and address the larger world of visual culture that made this period so fascinating and complex. Participants will have an opportunity to explore a revolutionary moment in time when the very concept of art was in flux and conventional ideas in art-making were challenged, and to understand how that tumult of genius and modernity continues to influence us today.

“Otis is thrilled to offer such an important course free to the public and taught by a brilliant, dynamic professor,” said Otis Provost Kerry Walk. “As an educational institution, Otis strives to enrich the world by sharing knowledge with the community beyond our campus. Anyone interested in such ‘modern geniuses’ as Monet, van Gogh, and Picasso, and their impact on contemporary life and art, will find this course exhilarating.”

The Otis MOOC is being offered through canvas.net and is free to the public. Go to: http://www.canvas.net to sign up!

START DATE: June 17th, 2013

COURSE TITLE: The Modern Genius

COURSE DESCRIPTION: This Art History course investigates the role of the French avant-garde in developing and showcasing new modern forms and approaches to art and visual culture in the 19th century. It addresses the most critical issues of modernity from Realism through Post-Impressionism as they relate to the stylistic changes that challenged academic art, the new subjects that confounded modern audiences, and the new roles and authority of the modern artist.

Through a series of video podcasts and online readings over five weeks, participants will understand the issues of modernity and the way that art and art-making addressed these issues, and recognize the profound impact that 19th-century Europe had in shaping our contemporary ideas of the “modern.”

INSTRUCTOR: Parme Giuntini, Ph.D.
After graduating from UCLA (B.A., M.A., Ph.D. in Art History) with a scholarly focus on 18th-century English portraiture, gender, and family representation, Parme Giuntini joined the faculty of Otis College of Art and Design. Working at an art college proved to be so challenging, productive, and fun that she never left. As the Assistant Chair of Liberal Arts and Sciences and Director of Art History, she has been instrumental in teaching, designing, and supervising courses that address both fine art and visual culture. In 2007 she co-edited GARB: A Fashion and Culture Reader. For the past five years her scholarly focus has been curriculum design, educational technology, and active learning strategies with a special emphasis on online learning and information.

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist