Events
  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

  • Emily Raboteau’s nonfiction work Searching for Zion was named a best book of 2013 by the Huffington Post and the San Francisco Chronicle, and was a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and a winner of a 2014 American Book Award. She is the author of a novel, The Professor’s Daughter, and her fiction and essays have been published and anthologized in Best American Short Stories, the New York Times, The New Yorker, Tin House, Buzzfeed, LitHub, The Guardian, Guernica, Virginia Quarterly, The Believer, and Salon. Other honors include a Pushcart Prize, the Chicago Tribune’s Nelson Algren Award, and fellowships from the NEA, the Lannan Foundation, and the MacDowell Colony. Raboteau teaches creative writing at City College in New York.

O-Tube

Otis College of Art and Design Receives Major Grant for Academic Computing from The Ahmanson Foundation

FOR IMMEDIATE RELEASE

Please contact John Axtell for inquiries and photos 310-665-6857 jaxtell@otis.edu

Digital media upgrades will enhance classroom and studio instruction, serving Otis College of Art and Design’s entire student body.
Digital Media Lab

Los Angeles, CA (PRWEB) February 28, 2014

Otis College of Art and Design has been awarded a major grant for digital media upgrades that will enhance classroom and studio instruction, serving the College’s entire student body. Specifically, the funds provide for upgrades to digital media control systems in traditional classrooms as well as the first digitally enhanced studio spaces on-campus. The project, scheduled for completion in Fall 2014, exemplifies the collegial spirit ever present on the Otis campus as it brings together information systems, library, and liberal arts and sciences staff under the direction of Academic Computing Director Felipe Gutiérrez.

Keeping students focused and attentive to detail during lengthy studio classes is a prime concern for Dave Schultze, now in his 11th year of teaching toy design at Otis. A licensed architect, principal of SchultzeWORKS design studio, and instructor of the first Rhinoceros (Rhino) software course for Lynda.com, the industry leader in online digital education, Schultze says his classes on 3D visualization would not be possible without the College’s strong academic computing services. His students learn the principles of three-dimensional design by developing simple, imaginative objects—robots, vehicles, spaceships, and toy figurines—using the most sophisticated applications—Rhino, V-Ray, Bongo, Photoshop, and AfterFX.

Schultze explains that digital design has progressed over three decades but high resolution projectors have only been available in the past few years. Picture clarity is crucial for students that watch his detailed demonstrations of techniques for building 3D models and processes for 3D rendering, animation, and compositing, as well as for critiques of their own work, which is uploaded to the College’s online Learning Management System, O-Space, or the video-sharing website Vimeo. The ultimate goal is job preparedness. Schultze explains, “With respect to technology, the classrooms at Otis and the workplace are one in the same. I give my students a very real world experience. It is very deep software, all the stuff I teach. I want my students to start using it so they can be competitive. If you don’t know 3D, you’re going to have an impossible time getting a job as a designer. I am trying to get them to a level of competency so they can exceed expectations on their first job.”

Fast approaching its centennial anniversary, Otis is investing in state-of-the-art technology that would have been unimaginable at the time of its founding in 1918. From its leadership as an early adopter of tablet display technology with classrooms dedicated for teaching on Wacom’s Cintiq line, to liberal arts and sciences courses offered on iPads, and now wireless digital presentation systems in both traditional classrooms and art studios, information technology underlies Otis’ commitment to academic excellence.

The Ahmanson Foundation is a longstanding, generous supporter of Otis. In addition to this award for new academic computing technology, the Foundation established an endowed scholarship fund, The Ahmanson Foundation Graduate Scholarship, and also provides annual support to the Otis Student Scholarship Fund through both undergraduate scholarships and the Ahmanson Veteran Scholarship Initiative, providing support to recruit, retain, and educate student veterans.

About the Ahmanson Foundation
The Ahmanson Foundation primarily serves Los Angeles County and awards grants for cultural projects in the arts and humanities, education, health care, programs focusing on the homeless and underserved populations, and a wide range of human services. Additional information is available at theahmansonfoundation.org.

ABOUT OTIS COLLEGE OF ART AND DESIGN

Established in 1918, Otis College of Art and Design offers undergraduate and graduate degrees in a wide variety of visual and applied arts, media, and design. Core programs in liberal arts, business practices, and community-driven projects support the College’s mission to prepare diverse students to enrich our world through their creativity, skill, and vision. As Los Angeles’ first professional art school, visionary alumni and faculty include MacArthur and Guggenheim grant recipients, Oscar awardees, and design stars at Apple, Anthropologie, Pixar, Mattel, and more. The renowned Creative Action program has been recognized by the Carnegie Foundation for Community Engagement, and the Otis Report on the Creative Economy is a powerful advocacy tool for creative industries. The College serves the Greater Los Angeles Area through compelling public programming, as well as year-round Continuing Education courses for all ages. More information is available at www.otis.edu.
Otis College Ranked 6th in Nation by The Economist