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  • Silke Otto-Knapp is a painter and associate professor of painting and drawing at UCLA. 
     
    She has had recent one-person exhibitions at Overduin and Kite, Los Angeles; Galerie Buchholz, Berlin; the Berkeley Art Museum/Pacific Film Archive; Greengrassi, London; Sadler’s Wells Theatre, London; Kunstverein Munich, Germany; Gavin Brown’s Enterprise, New York; the Banff Centre, Canada; Modern Art Oxford, UK; and Tate Britain, London.
     
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  • Sergej Jensen

    Mar 31| Lectures
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    Sergej Jensen’s work draws on a wide range of materials and formal references. Primarily known for his textile works, his lyrical compositions incorporate a variety of fabrics, from burlap and linen to silk and wool.
     
    He recently exhibited his work in the show "Classic" at Regen Projects, and his work is also included in LACMA's show "Variations: Conversations in and around Abstract Painting.”
  • Otis College of Art and Design Fine Arts Department presents the film collaborative from Berlin OJOBOCA.

     

    Thursday April 2nd, 2015
    7pm in Ahmanson Hall, lower-level screening room.
    9045 Lincoln Blvd, Los Angeles, CA 90045

     

  • Rea Tajiri

    Apr 07| Lectures
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    Rea Tajiri is a New York based filmmaker and educator who has written and directed an eclectic body of dramatic, experimental, and documentary films currently in commercial and educational distribution. She is also an Associate Professor at Temple University in the Film Media Arts Department.
     
    Learn more about the artist here.
     
  • Dusk to Dusk

    Apr 11| Exhibition
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    James Aldridge, The Gathering, 2010, Acrylic on canvas


    Dusk to Dusk: Unsettled, Unraveled, Unreal

    April 11 - July 26, 2015  |  Gallery Hours: Tue-Fri 10-5 / Thu 10-7 / Sat-Sun 12-4

  • Come fly a kite!

    Bring your family and friends to make and fly kites at the beach.

    Everyone will receive his or her own free, unique kite along with color theory instruction. Otis students will provide advice.

    Where

    Just north of the Santa Monica Pier
    Parking at the North Parking Lot 1: $12

    When

    Saturday, April 11, 2015, 10 am – 4 pm

O-Tube

Nourishing Craft

Aug 25, 2013
Tanya Aguiñiga, Product Design faculty member
Spotlight Category: Faculty
By Mimi Zeiger

 

Editor’s Note: 

Aguiñiga is one of five designers featured in the current PBS series “Craft in America: A Journey to the Artists, Origins, and Techniques of American Craft” 

Tanya Aguiñiga, Product Design faculty member, is an acclaimed textile artist, a craft activist, a sculptor, and a self-described “maker.” Her Atwater Village studio overflows with skeins of wool, yards of rope, and fabric remnants—the materials she uses to make her handcrafted accessories and furniture. Aguiñiga’s dyed rope necklaces are museum and design store staples, and the colorful, animal-like chairs and benches recently exhibited at JF Chen’s gallery charmed the crowds. She is not content to simply produce readily consumed objects, however; at the root of her work is a larger goal—the desire to build community and activism around craft. Her hope is to transform the perception of craft from a solo domestic art to a means of public engagement.

To do this, Aguiñiga weaves her own personal narrative into the history of craft. Born in Tijuana, she grew up taking a bus across the border every day to go to school in San Diego. As an undergraduate, she studied furniture design at San Diego State University, and received her MFA from Rhode Island School of Design. In 1997 she became a member of the Border Art Workshop/Taller de Arte Fronterizo (BAW/TAF), a binational collective dedicated to bringing attention to the U.S/Mexico border through arts-based programming. 

“My time with BAW/TAF was the foundation for who I am today as an artist,” says Aguiñiga, reflecting on the six years she spent actively involved with the organization. “It taught me how to use tools for the first time, how to work as a collaborative, how to engage with communities, how to create work that is both personal and political, and how to produce installation and performance art. As clichéd as it sounds, BAW/TAF changed my life.”

For Aguiñiga, BAW/TAF’s influence led her to work with marginalized communities and encouraged her to consider craft a radical practice. It taught her to be both an activist and a mentor, values she instills in her students at Otis. “It’s my job to preserve this history through making something personal,” says Aguiñiga. 

To illustrate her point, she selects a heavy leather strap from a basket brimming with colors and textures. The piece is a backstrap weaving belt, worn smooth in places from use—the kind of loom used by women artisans in Chiapas, Mexico. The leather belt wraps around the weaver’s waist and is used to create tension in the loom, which is then attached to a fixed object. 

Last summer, Aguiñiga used the belt to stage an outdoor weaving performance in Beverly Hills. Dressed in traditional Mexican garments, she attached the belt first to a parking meter and then, when asked by police to move, to a tree in front of the sign reading “Welcome to Beverly Hills.” Aguiñiga’s street performance of weaving brightly colored yarn was educational and political, publicly exposing the often unseen physical labor, artistry, and technique that is required to create textiles in one of the world’s richest zip codes. “Craft has been malnourished,” she says. “The origins of the materials need to be told.”

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