• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Soo Kim: 2006-07 Faculty Development Grant Report


In 2006-07 I received a Faculty Development Grant to support the development of a body of work that alters and slows the reading of the photographic image, to move away from simply what is depicted, and toward a reading of an image that is changed by the removal of some of the image's parts.

The process of making this body of work included photographing images as well as making a video. Both elements were informed by ideas of absence, removal, silence, and the delivery of meaning. I was interested in making a parallel between stage directions in plays and the physical removal of parts of the photographic image from the single photographic image – using these voids and absences to slow down the photograph as well as give meaning to silences and empty spaces.

This project allowed me to use my practice of cutting into photographs in a different way. Rather than using this subtractive method to add narrative elements to my photographs, with this project I excised parts of the photograph and brought a different dimensionality to the imagery depicted. Instead of cutting shapes and figures that were identifiable, the cuts took on a more geometric form that had to do with the imagery recorded in the photograph. I made a work that considered the materiality of the photographic medium differently than the way I had addressed these ideas in previous bodies of work.

Soo Kim

Work by Soo Kim

Soo Kim

Midnight Reykjavic #11

Soo Kim

Work by Soo Kim

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